Canopy Literary Review

When It Is and When It Is Not

Photo by Vince Gx

I’m at the checkout of a local shop, sorting through my wallet, when the cashier says it.

You have a muscle problem.”

This isn’t a question, but a firm statement. I look up, confused, thinking immediately that she sees something in my face. Am I having a neurological issue? Is there something wrong? What don’t I know? I take inventory and find that nothing is out of the ordinary.

No,” I say. “Why?”

She nods toward my right arm, and I quickly understand. My heavy quilted tote bag is hanging over the top of my wrist instead of in my hand or over my shoulder, the way another person would probably carry it. My arm is stiff, straight out and away from my body, and I note that it looks comically like the arm of a coat rack. My wrist bows under the weight, and my hand is balled up, soft, like a baby’s doughy fist in the first stages of learning how to make the shape.

I’m caught off guard, not so much by the way my arm looks—it’s been this way my whole life—but because I had not known until the cashier pointed it out how I had been holding it. I tend to tuck my arm into my side, obscuring my hand under long sleeves or pushing it somewhat behind my back. Now it is out and drawing definite attention. I’m surprised too at the sudden embarrassment I feel, something tinged with shame, as if having to see my arm is a nuisance, an interruption for the young woman.

You have a muscle problem,” she says again.

I say no, and give her a shortened version of what I tell everyone.

When I was being born, I got stuck and the doctor had to pull me out with forceps. He pulled too hard and damaged my arm.”

This is usually enough to satisfy people. They typically nod or make some vaguely supportive comment before moving on. This young woman, however, pulls back.

Oh, okay! Okay.” She’s holding her hands in a low defensive position like she’s sorry she asked, shaking her head, offended, maybe embarrassed, I can’t tell. “That’s fine,” she says.

I can be an oversharer at times, but I don’t think this is too much, especially considering the blunt way she blurted out her observation, already seeming to be sure she was correct, not concerned at all that perhaps I was sensitive to the question, not even bothering to ask Do you have a muscle problem? Instead, she seemed eager, as if she knew a person with “muscle problems” and was reaching for an awkward attempt at camaraderie. There is something subtly off-putting about this possibility, the way someone might hear an accent and obtusely ask, “Where are you from?” without having any meaningful follow-up.

The young woman is staring now, waiting for me to leave, and because she still seems somewhat horrified by the fact that I did not just agree with her assessment of me, I take an odd little pleasure in adding the bag she hands me to my coatrack arm before nodding goodbye.

It’s not until I’m outside that I consider that I still said no. No, I did not have a muscle problem, when in fact, that’s exactly what I have. When I was a kid, my mother trained me to explain my arm. “I have Erb’s palsy,” I told adults, sometimes pronouncing it Irv’s, then, when I was a little older, being sure it was Herb’s. I realize I have not thought of the term in years, and I have, I suppose, forgotten that the idiosyncrasies of my arm have a name, that they’re not just a part of me, but a legitimate medical condition. What this means for me is that I can’t straighten my arm at the wrist or elbow. My hand can turn over only halfway. I have half the grip strength in my right hand as I do in my left, and though I am able to use both hands for most things, I tend to do things one-handed. I’m used to these things, and generally, I do not spend time thinking about my right arm. Most of the people I know, I have known for years; new people do not bring it up.

The truth is, I am not particularly sensitive about my arm. This is what intrigues me about the interaction with the cashier. Why did I deny having nerve damage? Maybe it was in the term muscle problem. It strikes me as an odd way of putting it. I don’t think of myself as having a muscle problem any more than I would think of myself as having a height problem if something were too high for me to reach. Some things I can do quite easily, others I cannot do at all. These are the facts of my body. Cut and dry. No offense. None taken.

And yet, I am not immune to the fact that I look different, that my arm is irregular. I sometimes have a visceral reaction to seeing myself in a full-length mirror or in the reflection of a storefront. I know it is me. I know my arm looks like this, but there is a disconnect. This is not how I envision myself. In the reflection, my arm looks to me like a separate body part, something turned sideways and crunched into an odd position. My hand clings close to my side, the fingers bending behind me, slightly up toward my forearm like someone subtly sneaking a reverse low-five behind their back. But during the day, when my arm is in motion, I must manipulate it to do the tasks I need it to do, and in front of me, my hands look much the same.

I have been told by many people that they never noticed my hand at all, or rather that it is not very noticeable, or that they thought I was only temporarily holding my hand in an odd position. I have been asked by strangers if I have burned myself, maybe because it looks as if I am babying it, holding it up the way a dog might hold its wounded paw. But it is seldom that someone comes out and says the thing, calling direct attention to it. The cashier, I sense, saw the full-length mirror version of me. The one I wish to avoid. Perhaps that is what threw me.

I see versions of this inconsistent self-perception everywhere; my mother looking at older pictures, wondering aloud how she could have ever thought she was “fat back then.” Another woman, as is so often the case with women, commenting on her weight. “I hold it well though, don’t I?” she asks, hoping the response matches what she sees in the mirror. I see it all the time in my trans and gender nonconforming friends. A loved one reiterates to us that she has seen herself as a female since she was a child, then shakes her head, saying, “I cannot use a public bathroom. I wouldn’t want to see me in there.”

My mother sees me through a parent’s lens, where time warps, and I’m simultaneously always two and three and five and eight, twenty-two and thirty-five.

Just the other day, I was having coffee with my friend Filly when they vented to me about a teacher in their grad program—someone they thought they could rely on—who gave up on trying to use their correct pronouns after just three days, telling them she couldn’t see it. “Your voice is too deep. Maybe if you changed your voice?”

Filly laughs it off, but I can tell it hurts. Even with training, their voice booms. They are the first person you hear when you walk into a room. Joyous and raucous, and full of love. I would mourn the loss of that wondrous sound, and I’m glad to hear they have stopped trying to change it. “It’s just got to be what it is,” they say.

And then there is a moment of pause, where I see Filly fidget, mentally tracking what they’ve said, thinking about how they’ve framed their story, revising.

“It upset her that she couldn’t figure out how to make it work, but it’s not like I was keeping score or anything. She could have messed up a bunch if I knew she was trying.”

I tell Filly I think society has a problem with vision, without really knowing what I mean, but they agree, nodding like crazy, then smiling, dipping their head into another story, another frame.

“She invited us over to her house at Thanksgiving break, anyone who wanted to come could just show up.” Their eyes wander for a second; I know what this means to them. They have not spoken to their family in eighteen months. Their parents will not return their messages.

“She counted us all out at the table, and said our names out loud like we were in kindergarten: Filly, Amy, Adam, you know, then she brought out all these tiny gravy boats and everyone got their own little dish. It was so cute.”

“And she’s got a ton of cats, but only like three are hers. She got into rehabbing them a few years back and I guess it’s addictive or something.”

I wonder about this woman, the way Filly describes her. Intelligent and kind with no lack of compassion. It is only this hurdle of perception she cannot overcome. In the late afternoon, we talk and talk about things which we do not have answers for until our coffees are cold, about grace and acceptance. And about how, even in the absence of external judgment, it is hard to fully see ourselves.

Recently, my mother reminisced about how she had to keep my hand clean in those early years before I could move it. She told me how my thumb curled into my palm and that she needed to make sure the folds were clean and dry, or it would get “crusty.” She has repeated many stories about what she still sometimes refers to lovingly as my “little arm” (as it is slightly shorter and smaller than the other), but I had never heard this before and I was mildly disgusted, thinking it could not possibly be my thumb she was talking about, looking down at it, seeing that it still tends to favor the inside of my hand, ducking slightly under the knuckle of my index finger when completely at rest. In the stories of my hand, this is a distant one. The story of a hand that no longer exists, at least not how it did then.

I wonder how my mother must view my arm, being the sole observer of its lifelong growth. Most likely, she sees through a parent’s lens, where time warps, and I’m simultaneously always two and three and five and eight, twenty-two and thirty-five. Where my arm is both my adult arm, capable, fairly regular in shape and size, as well as the hand of my infancy, motionless, limp, marked with the diagnosis of terminal immobility. I know by the way she tells the story, for her, it is the same arm she watched rise up, a year after that diagnosis, slamming down again, upon the plastic highchair tray, announcing itself for the first time. It is the same arm she watched work through physical therapy for years until my fingers moved independently. These struggles are much more memorable and dynamic for her than they are for me. In a way, I think that makes them more real for her as well. She would probably have been more ready to agree with the cashier than I was about my arm having muscle problems.

And why wouldn’t my mother agree? The girl was not wrong, after all. Before I approached her at the counter, I could hear her yelling halfway across the store, something about COVID to her older, decidedly disinterested coworker, who, I am now convinced, gave me a covert look of understanding about the uncomfortable interaction. A look that says, yeah, she can’t help herself. This doesn’t stop me from feeling perturbed that she saw me in a light I would prefer not to be illuminated in, but I am not mad at her either.

In my mind, I’m back at the cafe with Filly. I have both hands in front of me, palms down on the table, so that they are as close to even as they ever are. I’m listening to them tell stories, their eyes are shining, their voice lilting and coarse, the harmony, for a moment, exactly the way they intend to be heard.

It’s just got to be what it is.”

This, the ultimate forgiveness of their big heart, their willingness, not to accept rejection or judgment, but to understand and make room for the fluidity of perception.

CASSIE MANGANO is a Stonecoast MFA graduate living in central Maine. She is a reader for the Maine Review, and her story “Just Like Camping” was included in the anthology There’s No Place (Renaissance Press) in 2023.

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