Welcome to Canopy Literary Review. This journal came about after a yearlong search for publications of its kind that turned up few results. Pride sections of bookstores are well stocked with material on the fight for trans rights; less with literature on just living as an ordinary, everyday trans person. Understandably, given the threats we face, but we’d rather not be completely deprived of the future we fight for. So, we visit, through art, imagination and creative writing.
An example of the literature (and future) we seek is a collection of short stories published last year called Be Gay Do Crime: Sixteen Stories of Queer Chaos (Dzanc Books). It is one of the inspirations for this journal. The title is a protest slogan. Using it for this short story collection feels queerly sarcastic. The stories are set mostly in a world in which the war against LGBTQ+ identities has ended with peace and inclusion. The characters are criminals because they commit criminal acts; their identities have nothing to do with it. The stories are snapshots of mundane queer life, which turns out to be remarkably similar to mundane non-queer life: surviving work, romance, exes, neighbors, the one-percent.
Canopy One is another collection of exemplars. We have solicited and selected the pieces herein, and included a few of our own, to illustrate the tone and quality of the literature we wish to represent, the Canopy’s identity, so to speak. We are trans/nonbinary-centered, but there are cisgender authors here, too, because we believe the future is collaborative, and adapting to shifting social demands is a skill we all must learn. We seek the perspectives and humor of those who do.
A tree canopy as our symbol for gender-nonconformity began with the idea of leaves having a particular shape that indicates their species while bearing individual differences, transforming over the course of their lives, from delicate green, to a robust green, to a final hue of spectacular decay, each one marked in its own way by insects, wind, squirrels, birds and parasitic spores. The canopy is what gives a tree its treeness, its countenance comprised of every single leaf; thus, in seeking a symbol to represent transgender and nonbinary people, we have happened upon one that represents all.
Odile stood in the darkest part of the yard, waiting, waiting, and Boy was nowhere in sight. This was her second time meeting him here, and she sensed he would fail to show, because Boy enjoyed the sort of good looks that made the world around him seem less important than he. His classmates, the other boys from the Priory School, treated her like a peasant, not because they were rich, but because she was tall and fat, and they knew they had what she wanted.
Now she became aware of the soft sound of the Sarthe slumbering in its bed. She could smell it a little over the aroma of the fresh boule she held in its burlap sack. In the forty-five minutes or hour she had stood here, she tried to make herself unaware of the bread. Its aroma and the solid fact of it meant she was doing something dangerous. Something foolish.
The moon drifted out from behind a scrim of clouds. Its light spilled across the yard like the yolk of an enchanted egg. Odile’s shadow stood out against the crazed paving of the front garden. Normally, she hated it, six feet tall, broad-shouldered, too round in all the wrong places, but tonight it barely bothered her. Something about it seemed changed. The shape was not lissome or elegant, but now she found it almost acceptable.
#
“Did you get it?”
His voice didn’t surprise her this time. When last they’d met like this, Boy’s first speech to her had made her yelp, shocked that he’d drawn so near without her noticing.
He was fair-skinned, freckled. Odile had seen him only once by day, and from afar, but last time he was here, she’d lit his cigarette for him and seen a galaxy of marks dusted across the bridge of his nose and spread beneath his ice-blue eyes.
There was an element to his looks she did not like. She thought of it as a sort of ease, an obviousness. As if God had fashioned Boy without paying his full attention. Yes, yes, blond hair, yes, blue eyes. Striking blue, of course. Yes, high cheeks, broad shoulders—everything from the Good Looks Drawer….
The set of his mouth undercut that effect. There was cruelty in it, or not cruelty, but a hardness that made his choir-boy aesthetic seem false. Besides, good boys didn’t sneak out of the Abbey to meet girls they barely knew.
“I have it,” she said.
“And do you have another cigarette?”
“Amazing.”
“Hein?”
She wasn’t sure what she’d meant, but supposed she ought to offer something. “Your accent,” she said. “You are British, but your French bears no accent.”
He said something in English. The words were quick and rough, but she enjoyed their rhythm. For a moment, she forgot her need for cool and smiled like a girl. “What did you say?”
“I said, ‘I have one when I wish it.’”
“Clever.”
“The bread?”
She hadn’t meant to hand it over so soon, but she could think of no reason to deny him.
He held it to his nose. “You made this?”
She blushed. “Of course. What will you do? Share it with your classmates?”
“What?” he said. “My—? No. Of course not.”
“You’d keep the whole loaf for yourself?” Now she said something she feared she’d regret, “You’ll ruin your figure.”
“My figure,” he repeated. She couldn’t read his tone.
“I’ll have another for you in a couple days.”
“Thanks. Can I—? I have money.”
Odile shrugged. “It’s a lesser crime to give than to sell. If anyone asks, I’m hopelessly smitten and make you loaves of bread to take away who knows where.”
For a moment, he watched her without speaking, then, “If anyone asks, tell them everything.”
A chill crept through her. Odile had known Boy wasn’t keeping the bread, but now his secret had deepened. “Never,” she said with defiance she didn’t feel. “I don’t know your name, and that’s fine, because I can’t tell what I don’t know.”
“It’s—”
She cut him off. “Don’t.”
“Odile.”
She shook her head. “Get out of here,” she said. “Run along with your prize.”
Her cheeks burned as he stepped back into the bushes. He might be different from other boys, but he was no smarter.
#
Odile made a point of thinking intently about her father every morning before she left her bedroom. She sat at her vanity, dragging her hands through her red curls in lieu of a brush or comb and stared past the oval mirror at the cold cerulean sky. She thought of her father’s cigarettes and his tobacco-stained forefingers—how she’d loved to smell them and wrinkle her nose. She thought of him sitting in his study, his reading glasses perched on the end of his beaky nose as he compared ledger figures. She remembered the smell of his skin, mineral oil and rosewater, and the way he shut his eyes and cocked his head when he sang.
When the battle still raged at Dunkirk, Odile had looked out that same window at a night sky lit with man-made flashes. She thought of her father out there somewhere, gesturing with his rifle as he shouted at his men. Even those memories, the imagined ones, she held dear, but lately they had begun to warp and sag under the weight of time and anxiety. Soon, the stage of her mind would bow and break, giving way to a chasm full of wind and the din of chaos, and her father, all that she had of him, would tumble down and down where her mind could no longer reach.
Now, as she had this thought, she felt a sharp pang in her sinuses, felt hot tears well in her eyes. Stupid girl, she thought. Crying won’t bring him back.
#
The Parisian was already outside when Odile unlocked the bakery’s heavy wooden doors. Today he wore a gray wool shawl over a navy pea coat and a bright green skullcap. His nose was humped at the bridge and a little crooked, as if it had been badly broken some time ago. His skin was a light olive, and his eyes were a difficult shade of gray. There may have been a little green in them, once. His shoulders were narrow, and he was taller than Boy by several inches. Every time Odile saw the Parisian, he seemed to be leaning on something, even if he was standing fully upright.
“I was afraid the two of you had fled to the Zone Libre,” he said as Odile stooped behind the counter, gathering boules and baguettes from their baskets. The other, less frequent visitors from regions with heavier food shortages preferred fresh bread and would wait for Odile to begin the day’s baking before they bought, but the Parisian always preferred bread from the previous day. He claimed that a fresh brioche was too young to know its own flavor.
“This is our home,” Odile said. “Many others have it worse than we here in Sablé.”
“Certainly. After all, you have enough spare bread to sell to the likes of me.”
“You’re the only one who buys without a ration card,” she said. “We’re the favorite bakery of a certain Commandant in Le Mans, so while we enjoy a certain amount of leeway, we see no reason to test the goodwill of our benefactor.”
“It doesn’t bother you? Baking for Les Boches?”
“My mother and I have done nothing to survive that disturbs our sleep. Circumstances aren’t ideal, war can’t last forever, and as I said before—”
“‘Many others have it worse than we in Sablé,’” he finished with her. “A healthy perspective.”
“You want your usual order?” Odile asked. Usually, the Parisian was in and out quickly. She didn’t like this new, chattier, version of him, who wanted to know her feelings on the Occupation.
“Can you spare an extra boule or two?”
“If you can spare the extra francs.”
#
Later that night, Odile and her mother, Madame Hulot, sat listening to the BBC on the living room radio. That was what they told themselves they were doing. In the earliest days of the occupation, they sat together, scanning the airwaves for news, for some clue as to what had become of Odile’s father. They were careful to stay close to the dial, in case some German soldier or collaborator would come knocking on their door. Over the past two years, their vigilance had slackened until Odile’s mother barely listened at all, and Odile sat across the room knitting and unknitting shapeless lengths of nothing as the announcer read news or poems.
Tonight, Madame Hulot sat at the spinet piano she and Odile’s father had received as a wedding gift, noodling with her left hand as she leafed through the ledger books, her husband’s reading glasses perched atop her skull.
For some time, Odile’s mother had resembled a shade of herself, but in recent weeks, her face had begun to fill out again, and the haunted look she tried to hide from Odile had receded slightly from her eyes. Lately, instead of smelling of stale flowers, she smelled of dried lilacs. At first, Odile had wondered with a shock of mingled disgust and outrage whether her mother had begun seeing someone. Now, when she thought about it, which was rarely, Odile thought she owed her gratitude to anyone one or anything that brought her mother nearer to her again.
The owls are awake, in soundless flight
They row through the air on heavy wings,
The zenith fills, somberly glowing.
Pale Venus emerges, and it is Night.
Odile frowned. The first two stanzas of the poem had taken her away. She had imagined herself walking through the grounds of an abandoned chateau, watching the flowers close.
“Mother,” she said quietly.
Madame Hulot didn’t answer right away. Instead, she took another puff from her absent husband’s Briar pipe and expelled plumes of smoke from her mouth and nostrils. When she did turn away from the ledger, she did so very slowly, as if the motion caused her pain.
“Yes…?”
“I don’t think we should sell to the Parisian anymore. He asked too many questions this morning.”
“About your father?”
“Why would he ask about Papa?”
“Madame Fercule endured similar silence from her Alcide after Dunkirk, and learned months later that he’d escaped the Boches and joined the Resistance in Paris.”
“You think that’s what’s become of Father?”
The woman’s shrug suggested she thought no such thing. “It’s possible,” she said. Moving as if through water, she turned back to the ledger and stared at it with unfocused eyes.
“Maman,” Odile said. “Maman!”
This time she didn’t turn at all. “Yes…?”
“I’m going to hire some help for the shop.”
Mme. Hulot grunted low in her throat. “With what, Conillet? We haven’t any money.”
So she had begun noticing the world again. The nickname was one she hadn’t used in ages, and according to the old ledgers her mother pretended to read, the bakery was doing brisk business.
“We’ll have less without the patronage of the Parisian,” Odile said, “but we’ve a little more than nothing.”
Another shrug. “Keep a careful accounting, hein?” Mme. Hulot said. “We don’t want any questions from the thrice-damned Germans.”
#
This time, it was raining when Boy appeared, so Odile let him into the bakery. They smoked together in the back room, away from the windows. This time, Boy looked as if he hadn’t eaten since Odile had given him the last boule. He was hatless, and his wet hair matted against his skull. One strand lay plastered across his forehead like a golden wound. He smelled of horses.
“Sorry to come so late,” he said.
“None of us can come and go as we please,” Odile said with a shrug. “I imagine you’d have sent word if you could.”
“Monks to the left hand, Boches to the right,” Boy said. “My problems have problems….” He took one last drag on his cigarette and glanced around the room, looking for somewhere to put it out. Odile took the butt from him and stamped it out. She’d sweep up before bed.
“If you worked here, you’d have cover to come and go. You could do the sweeping.”
“Absurd,” he said. “I can’t work for you.”
“Absurd?” she asked. “Which part of the proposition is so outlandish? The one where you take orders from me, or the part where I continue to supply you with bread at a vastly reduced risk to myself and my family.”
“Now you care about the risk?”
“Oh!” Odile barked. “Son of a—! Listen with your ears and not your ass! You’d rather keep mucking out the horse-stalls like a serf? You smell like horseshit every time I see you.”
“It’s my job.”
“Some job,” she said. “It’s the kind of peasant work they give bad boys who get caught sneaking out.”
“I wouldn’t know.”
She scoffed. “Because you don’t sneak around?”
“Because I’m never caught.”
“Work here. Sweep up. Fix things. Learn a recipe or two.”
“I told you. I can’t work for you.”
“Why not?”
Boy sucked his teeth. He grinned like a shark for a moment, and it was the most honest expression Odile had ever seen. Just as quickly, he folded up the look and put it away somewhere behind his eyes. “I’d be too distracted.”
#
As Odile led Boy up the back stairwell, she felt as if she’d become twins. One sister still stood in the bakery’s back room, chain-smoking cigarettes and trying to seem casual. The other sister was the one who had stared Boy down, and then, when he tried to dispel the tension by lighting another cigarette, had grabbed his wrist and pulled him close.
Such a masculine gesture should have mortified her, should have turned Boy off completely, but she could tell from the way he’d kissed her that he’d never been approached this way before, and he needed to know what she’d do next.
They paused at the second floor landing to paw at each other like cats fighting. Boy’s mouth tasted of brandy and cigarettes and something else Odile couldn’t identify. There was a sharpness to it, and it tasted somehow pale. She kissed hard, completely in control, letting him lean against her so hard that if she chose, she could step backwards and drop him on his chin. She sucked first his top lip, then his bottom, then pointed her tongue and explored the area between his teeth and lips. Every time she used her tongue like a sword, Boy groaned in spite of himself and tried to pull her closer. He grabbed her hair, her neck, her shoulders.
At some point, they ascended the rest of the stairwell—they must have—because they were falling into Odile’s feather bed, writhing to escape their clothes like Houdini trying to shrug off a straight-jacket. It occurred to her now that she should worry about undressing before him. Displaying her rolls and moles. Instead, the thought thrilled her, and she licked her lips as she unfastened her buttons.
Odile’s heart fluttered in her throat. She thought of her father tumbling into darkness. She thought of her mother’s fingers questing across the ledger page, of wood smoke curling into the winter air. She thought of these things not because she was away from herself or away from her body, but because, for now, her body had no need of her. The Thinking Odile, the part of her that was an assemblage of tics and fronts erected to keep the outside world at bay, seemed to float high above her. If Thinking Odile looked down, she would see herself and Boy rutting like beasts.
Or would she? Maybe she would see herself transformed, made incandescent by Boy’s hunger and striving?
“Is that good? Is that right?” he asked, breathing hard, as he crooked his fingers inside her.
Odile let loose a string or profanities. Then, “God damn it…! I can’t feel my hands!”
#
Sometime in the middle of the night, Odile rose to sit at the vanity. She was not asleep, but neither was she awake. The mirror was not a mirror at all. Instead, it was a window like the others in the room. It, showed her a landscape she didn’t recognize, a tangle of forest foregrounded against high, proud mountains. She sensed, instead of saw, figures moving among the trees. They seemed to chase each other, playing, but there was an edge to the play, to the shift of power, so that one could never tell which figure would cause another to cry out.
The landscape seemed to recede into the distance, and her mother’s face drew near. It was as pale and wan as it had been a month ago, and as Odile watched, the cheeks sank further, and the bones beneath them threatened to break the skin.
You can’t, Odile said. You’ve only just returned. What will I do without you? What will I tell Father when he comes home?
When her mother answered, it was with her father’s voice:
Allow my head, that rings and echoes still
With your last kiss, to lie upon your breast,
Till it recover from the stormy thrill,
And let me sleep a little, since you rest.
#
The morning brought cold rain. Odile rose, checked the window, looked over her shoulder at Boy dreaming away, and lay back down. When he felt her beside him once more, he drew close, sliding his fingertips across the softness of her belly.
“I came back to bed because I thought you were still asleep,” she said.
“That’s the only reason?”
“Your other girls are content to lie around all day?”
“My other girls,” Boy said.
“I can’t be your first.”
“No,” he said.
She wasn’t sure how she felt about his answer.
“You were my first,” she said. “Boys don’t like me.”
He shrugged against her. “Boys like girls. You’re a woman.”
Heat spread across Odile’s face as she drank in his pronouncement.
“So you still won’t work for me?”
“You think we’d actually work?”
“I run a tight ship,” she said with a shrug. She briefly fought the weight of Boy’s arm to grab her cigarettes and matches from the night stand. She lit two, handed Boy one.
“My name is Abel,” he said. “After the world’s first murder victim. My parents are dead.”
“I’m sorry.”
He shook his head. “I was only ten. It’s as if it happened in another world. I feel the space inside me where they should be. I have a few memories. The rest is nothing, not even void.”
“They died in England?”
“Yes. Outside of Essex. Motoring.”
“And their money sent you to the Priory?”
“My uncle took me in. He’s Headmaster there.
“Abel. Do you have any brothers?”
“No, I—Yes. One.”
“When we first met, I fantasized that my father sent you to our bakery and that you were keeping him in hiding, feeding him my bread.” Odile retrieved the round metal dish she used for an ashtray and tapped her cigarette on its rim. “I try to think about my father only very seriously. It seems the right thing, because if he still lives, it must be only the direst secrets and business keeping him away.”
“I’m sorry to disappoint,” Abel said. “I remember your father, but I don’t know him.”
#
Weeks passed without event. Boy—she still thought of him as Boy—and Odile fell into a rhythm. He didn’t always appear at the bakery in the mornings, but when he did, he did enough work that his help was actually help. They spent most nights in Odile’s bed.
One such night, Odile was troubled again by her former state of waking-not-waking, and rose to look into her vanity’s glass. This time, the window her mirror had become looked down on the back garden of her house.
Someone stood in the darkest part of the yard, smoking two cigarettes at once.
Odile almost called out to him, asking why he would do something so silly, but then the figure lit a cigarette, and Odile realized that the two burning coals she’d first seen had been his eyes.
They regarded each other for a long time, then the man with the glowing eyes nodded curtly and turned away. He was no longer a silhouette, but a collection of arboreal shapes that had never, could never, equal a human form.
#
The Parisian appeared once more, and once more, he was in the mood to converse. As their transaction concluded, Odile asked for his ration card.
“My card?” he said. “Fuck my card. Son of a bitch! Do you fucking peasants have any idea what we go through in the city? Do you know what those fucking Germans do to us? Your father would be ashamed!”
The sick thrill Odile had felt as she watched her customer lose his temper gave way to cold fury.
The Parisian watched, sneering, as Odile came around the counter, holding a brioche the size of her fist. She thrust it so hard into his belly that the ball of bread crumbled to pieces.
“What do you know about my family, you effete fucking city dog shit?” she said. In her own ears, her tone sounded amused, even friendly. “Take this last loaf for free, but if I see you again, I’m going to shove a boule straight up your dainty Parisian ass.”
The Parisian just watched her, shocked. Then, a thought flickered behind his eyes.
“Oh, you tell my mother,” Odile said with a sneer of her own. “I run this bakery…! And we’ve made our last sale to you.”
#
After the Parisian had gone, it occurred to Odile that she might have made a fatal mistake. She knew precious little about the man, and knew nothing he hadn’t told her himself. He could be a collaborator, or even a collaborationist with real power, with ties to the Gestapo or the Franc-Gardes. If that were the case, there would be precious little good reviews from the Commandant in Le Mans could do to save the Hulots.
She tried to calm herself with thoughts that no one truly powerful did his own weekly bread shopping, but how much power, really, would it take to smash Odile and everything she worked for?
The panic made Odile’s body a prison, and she wished fervently that Boy would arrive bearing his ring of keys.
#
Boy stayed away that day and the next. Odile baked feverishly, stacking baguettes and boules in an unholy snit even as she wore her friendly, untroubled expression like a carnival mask. Later, she spent an unproductive hour or two questioning her mother about the Parisian. Madame Hulot knew little about him, cared even less. Odile was tempted to tell her mother why the information was so important, but the woman had begun to appear tired again, and Odile hated to alarm her.
#
The next morning, as soon as Odile opened, a new customer appeared at the shop. He was compactly built and not tall. He smelled strongly of sandalwood, and while he wore street clothes—a brown leather coat over an ice-blue cardigan sweater and gray pin-striped slacks with square-toed leather shoes—he was clearly one of Les Boches. His impeccably sculpted white-blond hair, and the fit of this clothes, like they’d been hand-stiched directly onto him—proclaimed his station as loudly as any uniform. If it hadn’t been for his soft and friendly gray eyes, Odile would have been certain she was lost.
“May I help you?” she asked. She had to work to keep her voice steady, but she succeeded.
“Your mother owns this place, yes?” His voice was soft—not quite a purr, and his French was impeccable.
“We both do, technically. My father is dead, so his share has passed to me.”
“Dunkirk?” he said, then sucked his teeth. “Damnable thing.” He seemed to mean it.
“Yes, Dunkirk.”
“I wonder has it occurred to you that at least some of us on our side detest this occupation as much as you do?”
Odile opened her mouth but said nothing. The man’s expression and inflection were so open, so guileless, that she didn’t know how to conduct herself. She desperately hoped Abel would stay away now. If he were to appear while this man—this officer—was here menacing her, he might do something irrevocably rash.
The officer turned, taking in the high ceilings, the stacks of bread, craning his neck as he looked toward the oven. “There will be a reception,” he said, still looking round, “In Le Mans. A week, Friday. I have a list. A car will arrive to collect the order and deliver payment. Some of the recipes hail from my own Swabia. Take great care to execute the instructions I’ve provided, as written. They are my father’s. These recipes are my second gift to you and your shop, Mademoiselle Hulot.”
“Yes, sir. Of course. What was the first?”
“Indeed,” he said. “What is the first?”
Now the atmosphere of the shop darkened, grew oppressive, but the light changed not at all. “A Monsieur LeCorps has hinted at certain improprieties. You are acquainted with the man, yes? Parisian accent? Always slouching?”
“Yes,” Odile said. She’d begun to sweat. “What improprieties, sir?”
“Nothing of consequence,” he said. He fussed over the words as if stroking a prized cat. “After all, if any such improprieties had occurred in the past, one might ascribe them to the recklessness of youth. To the ignorance of certain consequences, yes?”
“Any mistakes I’ve made are my own,” Odile said.
“Please understand, Mademoiselle Hulot, that no one cares. About. That.”
Odile waited, cold, for him to speak again.
“Yes,” he said. “Well. Your craftsmanship is exquisite. I have no doubt that you alone can provide the Laugenpretzels and Hefezopfs I require.” He approached the counter and placed his list upon it, but didn’t withdraw his hand. For a moment, he stared at it, and Odile stared, as well, at its translucent skin and the network of blue veins beneath. His hand suggested he was older than he looked by at least a decade.
“I am no fan of this circumstance,” he said. “The brutality of the occupation. The way good people are forced to live. The terrible terrible things my countrymen feel they must do to maintain order. I hate extortion. I abhor fear-mongering, and I detest violence…. But feeling so, in my own way, am I not the worst of us?”
“I don’t… I don’t know, sir.”
“Well, Mademoiselle, rest assured that if I am forced to engage this matter in my official capacity that you, your mother, and your stalwart employee will learn the answer to my question. Clear?”
Odile couldn’t form a response. She felt as she had when her father had taken her to the zoo in Le Mans. There, at the reptile house, she’d seen a boa constrictor for the first time. Her father was friends with a zookeeper who took them behind the display and gathered out the serpent to show them up close.
He let Odile touch it. It was one great muscle, like a disembodied limb, but harder, like a leather shoe that was somehow alive…. Even so, it had displayed more genuine warmth, more human care, than the Commandant in his street clothes.
#
Sleep stayed away that night. Odile’s imagination was a riot of bloody scenarios, dismemberment, rape, and torture. She tried to read, but even knitting was beyond her, as scattered as her focus had become. Eventually she ran out of cigarettes, and had to choose between going to bed and seeking out one of her father’s pipes and her mother’s loose tobacco. Finally, she put out the lights and lay down, but that was no help. She found herself shuttling in the dark between her feather bed and the vanity, hoping for another of her nocturnal visions.
Finally, sometime close to the Witching Hour, Odile spotted a figure in the garden beneath her window. Without thinking, she drew on her dressing gown and went outside to question him.
“Whereinhell have you been?” she said as she strode into the gloom. “I’ve been climbing the fucking walls!”
“What?”
The voice was unfamiliar, and now, Odile realized, with a sinking heart, that the silhouette was unfamiliar as well. For a brief, terror-bright instant she thought this must be the Parisian returned, intent on harming Odile and her mother without intermediaries of any kind.
But there was no leaning quality to this figure. He stood tall, swathed in shadow, and as he lit his cigarette, Odile got an impression of him in the fleeting match-light. He seemed slightly swarthy, with dark, close-cropped hair, and large, wet eyes. Something in her recognized him.
“Who are you? What are you doing here?”
“I wanted a look at you.”
“Did Abel send you? Who are you?”
“‘…Thou askest me of my glorious name, and I will tell it thee; and do thou give me a stranger’s gift, even as thou didst promise. Noman is my name, Noman do they call me—my mother and my father, and all my comrades as well.’”
“…What?”
“Abel already told you his name. He’ll tell you mine, as well.”
“Where is he?”
The figure’s shoulders stooped with sadness, and he took a breath. Odile realized now that there’d been no joke and no affront in his quote. Whatever game this stranger played, it was not one he enjoyed.
“Out searching for me. I told him not to in the note I left, but Abel is… He’s not one to be told what to do.”
“You’re the one he’s been feeding with my bread.”
“Yes,” Noman said. Odile couldn’t help but think of him as Noman. “I owe you.”
“I can’t anymore. The Commandant—he’s been here. Personally. I can spare you one more tonight, but that’s it.”
“Honestly, I’d appreciate it. I’ve a long journey ahead, and I’m unsure of my destination..”
“God. You’re just a boy. Like Abel.” Even as she said it, she knew it must be true. He must be a Jewish or Romani student at the Priory school secreted away by Abel and the monks when the Germans began enacting their putrid laws.
“There may be elsewhere you can hide,” she said. “Not here, but close.”
Noman seemed to consider, then, “I can’t,” he said with a shake of his head. “Les Boches know too much about me already. I must go quickly, but… I had to see.”
“See what?”
“You’re not like his others.”
She blushed. “I’m fatter, you mean.”
Noman grimaced. “I don’t mean that. You’re… you’re changed in a way that they were not.”
Because her father was missing? Because she was risking her life and her mother’s life just standing here?
“I won’t ask you to take care of him,” Noman said. “But I will ask, what do we have if we don’t have each other?”
Odile made a rude noise. “Don’t be an asshole. We have ourselves. I’ll get you that bread now, O Great Odysseus.”
#
Odile mouthed a filthy word as she let herself back into the yard, a sleeved baguette in the crook of her right arm. She wasn’t surprised to find Noman gone when she returned to the darkest part of the garden, but she was surprised to find Abel standing in his place.
His chest heaved, and even in the dark, Odile could tell his hair was awry. She couldn’t tell whether it was physical or emotional exertion that had momentarily stolen his voice.
“…He was here, wasn’t he? Why would you have brought bread, if not for him? That whoreson. That filthy sonofabitch.” His words were riven with affection.
“He was your brother, wasn’t he?”
They stood in silence for a long time before Odile took Abel by the wrist and led him inside. He wept as they went, sobbing hard and loud like a little boy. The sound of his despair brought a lump into Odile’s chest.
“I know,” she said as she led him up the stairs. “I know what it’s like. It’s like the sun’s gone out.”
Abel let go her hand to steady himself against the wall. When that didn’t work, he began to kneel, and Odile descended a little and went to him.
“It’s okay,” she said. “It’s all right….”
She racked her brain, searching for something to say in his native language. All she could remember was a passage she’d memorized in primary school, and it hardly seemed appropriate.
“What was his name?” she said.
“What?”
“He didn’t tell me. He said you already told me your name, so you would tell me his.”
“It was—It’s Jacques. Jack.”
“Good. That’s the first thing. Now, let’s go upstairs and I’ll run you a bath. I’ll scrub you good, and you tell me about him.”
They wavered for a moment, holding each other. “He came to live with us when I was thirteen,” Abel said. “He’s from . . . He’s from somewhere else.”
“America, or . . . ?”
Abel shook his head. “A place full of monsters. He was running from them. And now he’s running from our monsters, too.”
Odile frowned, bit her lower lip. She wondered why Abel’s explanation didn’t frighten or even surprise her. She thought of her dream. The man—the boy—? With the glowing eyes. “He’ll be all right,” she said. “And you’ll see him again.”
“How do you know?”
“Because you need him,” she said. “And he loves you at least as much as I do.”
Abel just watched her for a moment, then something relaxed inside him. Some part of him, however small, believed.
When Odile pulled away and resumed her climb of the stairs, Abel followed her, steady and quiet.
END
ALEX JENNINGS has been publishing SFF for over twenty years. His writing has appeared in Strange Horizons, Uncanny Magazine, Afterlives 2025, Obsidian Lit, and elsewhere. His novel, The Ballad of Perilous Graves is available now. He has been a finalist for the World Fantasy Award, the Mythopoeic Award, the Locus Award, the Ray Bradbury Prize for Speculative Fiction and the BSFA’s Compton Crook Award in 2023. His novel, Dead End Boys will be published in 2027. You can find Alex goofing around on Instagram and Tiktok: @magicknegro, and Patreon! patreon.com/AlexJennings79
This story was originally published in The Headlight Review. It was a finalist for the 2024 Anthony Grooms Short Fiction Prize and will appear in James’s upcoming collection You Start Missing Everybody (Cornerstone Press 2028).
Photo by Vincent van Zalinge
Because Vivian almost never leaves her apartment, her niece Marie arrives there promptly at 8:00 a.m. A normal hour for Claire, the functional sister, to drop off her problem child. Maybe a little early for little Marie, who has already donned her ice skates and wobbled to the front door, one slender finger in her mouth, plucking a tooth.
Vivian has bought a sketch book for Marie, hoping that this, finally, would be the day she and her art-loving niece might connect. Hoping that this “year off” Vivian’s living might crack open and let her out. (Who’s holding you in? You know—you!) Hoping that she can help in some way with this troubled child who Normal Claire cannot fathom, Vivian has promised to actually take the girl out this time. Better for both of them, Claire insisted. Normal people can’t sustain themselves on endless streams of content and neurotic fixations on insects and the like. (Do you want her to turn out like you?!?)
“My toof’s looth,” Marie says and then takes her finger from her mouth, spit-blood cocktail dribbling. Anything but teeth! Vivian thinks and then thinks against herself, that frantic, cruel voice of inner subversion: (Have you brushed? [how many times??] Has she? Do you have enough paste?!?)
Vivian’s mind snares such ideas like a bear trap, and they scream to her.
(Look, these teeth of yours; you’re not going to have them that long. The warranty expired, there’s no exchange policy. You’re not built to live to retirement! It’s your own damn fault if you go extending that life expectancy beyond the reproductive cycle. Wax wings, hot sun—you get the picture, sister. And it’s in those teeth.) says the script in Vivian’s head each morning as she flosses. The message and the messenger itself both obnoxious reminders of the daily bodily terror of being human: (A tragically self-aware ape), insists the postscript response, once Vivian’s resistance against the intruding thoughts but now just another line of program in her mind (soggy wiring). Like how from age ten to seventeen, everything had to be in even numbers: bites of food from a plate, syllables in a sentence, steps from point A to B. If not, cognitive dissonance, feet tripping feet, teeth grinding teeth.
For a moment, watching Marie fiddle again with the “looth toof,” Vivian almost reverts, tongue starting to count her own teeth just to be sure.
Vivian slaps her cheeks, shakes her head back and forth, and faces Marie.
“Have you brushed recently? I think I’ve got a toothbrush your size.”
The girl stares. Drool of incomprehension. They head to the bathroom for deep scrubbing.
But, during this, Vivian’s fourth brush of the morning, what bothers her is not the ever so slight—yet undeniable!—tea stains conquering territory on her lower front teeth. Nor does she sweat any more than usual about having to leave the apartment (sooner by the brush stroke, thank you Marie). What she sees are the dark, sad, puffy lower eyelids she’s had since childhood (Brother Thomas, too—genetics, ge-ne-tics). Like an age meter, they’ve gotten slightly darker by the year, and they remind her she’s a product of DNA that only needs her to breed—and then die, for all it cares. Sometimes she fantasizes about moving into an artificial body to escape death, taking her wet robot brain with her like one moves apartments. Why not, if her mind is just chemical and electrical signals?
Vivian has just gotten a hold on this thought-stream when in reflection she spots the second set of puffy eyelids in the room. (Second? Count, dear. Reflection: yours, yours again, hers, and her other one, too. Two pairs of puffy, sad eyes.)
“Ughh,” Vivian moans (counting: one, two, three . . . four seconds), chin dripping minty. The two girls spit in unison. Foamy tadpoles slide down the drain.
~
Marie’s mother (big sister Claire, renowned neuroscientist) does not know why her daughter is unhappy, and because Marie’s ever-grinning brother Joey embodies such a perfect counterpoint to Marie’s disposition simply by existing, her frustration sometimes smacks of blame toward Marie. Joey, hotdog in mouth and the sting of a day’s game of catch in his palms, oozes sunshine. So why does Marie slide down the fire pole over and over for an hour straight instead of playing with other kids? And what makes her ask Mommy why some things taste good and others taste bad? And on learning of taste buds and neural receptors and the gustatory cortex, why, Oh God, must she lean against the fence and sob?
This, Claire had asked at lunch in Vivian’s apartment, mindlessly swallowing sticky piles of mandarin marshmallow fluff salad, which, Vivian thought, tastes good primarily on account of sugar and acid dancing in unison. Given Vivian’s preference (read: uncontrollable compulsion) to stay at home, they’d brought the barbecue to her.
“Oh, I’ve read all the books, asked my colleagues, and there are just no real answers. Get them to bed on time, give them healthy food, make sure they feel connected to others. Should I give her an iPhone? She’s eight years old!”
Vivian, having eaten some stringy barbeque chicken (sticky deadflesh waiting to rot just like teeth), pulled a folding travel toothbrush from her pocket. She jammed the dry bristles back to her right molars.
“Dash sure-tainly trouble-shum.” (Brush brush)
“You should have seen her drawings. Where could she have gotten the inspiration, dear?” Claire said to her husband, David, a big, gentle therapist several days overdue for a shave.
“I’m still paying for this, am I?” he said, rubbing Claire’s shoulders.
“Marie asked him,” Claire said, dropping to whisper, “where we go when we die. And he said—Viv, enough with the brushing, Christ almighty. David, can you analyze this girl?”
“Conflict of interest, my love. You know as well as I.”
“He’s not my dentisht,” said Vivian. She takes the brush out of her mouth and adds, “I’m not even using paste anymore. Not more than four times a day.”
“Just give it a rest. Now listen. He said, and I quote: ‘Well, Marie, daughter of mine, whom I protect and guide through this life and to whom I would never say anything twisted or disturbing, when we die, we simply go back to where we were for billions of years before we were born.’ Honestly, David, are you insane? Tell him he’s insane, Viv.”
“Confick of intresh, my shishtar. You know ush well ush I.”
“I thought it was an honest, comforting answer,” said David.
Vivian spat. “What’s comforting about billions?!”
“We couldn’t leave those drawings at school. That teacher of hers had them on display. Painting after painting of a screaming little girl in a black void of death!” Claire said, chomping more marshmallow salad, junk she’d normally avoid, which is how Vivian knew she was truly upset over this. Nobody in the family really talked about it, but there had been a growing sense of worry about their familial emotional balance since the eldest brother Thomas had lost his professorship. (During a heated conference panel regarding the orangutan in “The Murders in the Rue Morgue,” he’d cracked the skull of a Poe scholar with a classroom projector.) And Vivian had her own, less infamous troubles. As the next generation of their family emerged and grew, each of them worried about inheritance. “And then when we had to explain to her why her art was taken down, it was like she was in her own world and couldn’t hear anyone else.”
“Vivian, we were talking,” David said. “And while even thinking about this is a conflict of interest, I feel Marie might benefit from another social outlet.”
“A friend.” (Claireified.) “Something like a sister. A big sister.”
“Izat sho?” (No coincidences. All part of the program.)
~
Vivian has come to suspect that all is program. Not only her body, an expression of DNA, and her mind, always flickering before her captive eyes like a Clockwork Orange screening, but the whole world—the universe! Whether someone else’s simulation that she’s just living or simply a purely mechanistic roller coaster she’s strapped into, she can’t say.
The notion sprouted around the same time her body (according to schedule) started manufacturing (automation) the chemicals that would make her skin bubble and her menstruation start. The voice that was and wasn’t hers elbowed into her thoughts, and she’d sit silently in classes thinking about that phrase “train of thought,” picturing the tracks (predetermination, control, clockwork timetables, please watch your hands; the doors are now closing!) extending out before her. One thought moved to the next—or were they linked like one train car to another?—drifting away from the station. Vivian struggled to focus on the buildings and trees flitting past, smearing with speed into an untouchable world. It was lonely.
Inwardly, Vivian’s selfhood had twisted into a self-devouring solipsism, but to her family, Vivian was just quietly waiting to emerge from her shell. That’s puberty! Given the extraordinary talents (hereditary, just look at your philosophy professor daddy and poet mommy) of her older brother Thomas and sister Claire, there was cover for her turn inward. Between events like Thomas’s publication of a book of literary scholarship during his last semester of undergrad to Claire’s landing first cello in the state orchestra in every year of high school, there was no light to shine on Vivian’s complications. The problem became tangible only at the holidays and at her Birthday when, oh crap, everyone had to buy her gifts to demonstrate their admittedly truly-felt (biologically-rooted) affection. But what did this girl want? What did she think?
For her twelfth Birthday, a chunk of identity inexplicably landed in the family’s lap: Vivian loved the color green! For years, the problem was solved: give her green clothes, green sheets, green curtains and trash cans and desk chairs. Paper her walls in leafy reams and roll out the grassy carpets. Soon her room looked like the Rainforest Cafe, complete with tree frogs dangling in every corner from shamrock patterned shoestring vines. Vivian was green, green was Vivian.
Her brother, Thomas, perhaps intuiting something wrong with year after year of green gifts, broke the pattern one Christmas and gave her, in green holly paper, a Franz Kafka collection featuring The Metamorphosis. Vivian stared at the bug on the cover. She had always thought that Thomas was actively ignoring her, but she felt something else then. Had he noticed her collecting beetles in the back yard?
“This one’s pretty weird,” Thomas said. “I don’t know. I thought you might like it. Something for study hall. Or bedtime. Hahaha!”
“Kafka? What are you trying to do?” their dad asked. “Turn her into Margot Tenenbaum?”
Vivian read it cover to cover, and Thomas kept giving her books. She was thus marked another reader in the family, making holidays all the easier, but soon everyone learned she was also fascinated with insects, and she started to speak her mind—the parts of it she (at least felt like she had) selected.
~
Vivian and Marie slowly waddle out onto the frozen pond in Glass Park. (Don’t yawn, you wanted it early to avoid people!) Relieved that, as planned, nobody else is out this early, Vivian holds Marie’s hand, small and soft in its tiny mitten. An embarrassing internal giggle tickles her, but Damn you mommy program, I have no intention of squeezing any little ones out of me. Still, the air is cool, and Marie is focused on maintaining her balance and so squeezes gently as they take the curved end of the pond. Vivian stops thinking then, and there is just sound: blades over ice, Marie sniffling.
Until GACHUNK GACHUNK!
Skates slice through crunchy bumps in the ice, and the surprise sends the two down to the slick cold, Marie tumbling into Vivian’s arms, which cradle the girl’s head in the fall. Synchronized in motion as if their minds run on the same tracks, the two flop over and observe, down in the ice, frogs frozen just at the surface, some of their heads sticking just up above the floor line. Several heads are split in two where the blades have just slid. Frog brain shaved ice.
“We broke their souls,” Marie says.
“Broke their souls,” Vivian repeats, staring into the cold amphibian eyes. “Croak.”(Ribbit.)
“Mom says the soul’s in the brain.”
“Soul’s in the brain.” Vivian reaches out to run a finger over the credit card slot she’s just cleaved into this frog’s skull but stops. “Marie, who says frogs have souls?”
(Blink blink)
“Amphibian metaphysics are none of your business, young lady.”
Marie’s hand escapes its glove and wiggles her loose tooth. She is unconvinced. (Oh no, you’ve broken her soul!)
“Look, your mom, she maybe spends a little too much time in that lab of hers. It’s like a family bad habit,” Vivian says even as she starts to sweat under her coat, noticing families starting to arrive, skates in tow. “Hey, Marie, have I ever shown you my bugs?”
~
Marie requests “Popeye” for lunch, so Vivian whips up pepperoncini pasta with sautéed spinach (Popeye) and pan-seared chicken. A recipe inherited from her brother during her “year off” of school. While Vivian cooks, Marie stares into her tank where Gregor the Eastern Hercules beetle dwells. Marie’s mouth hangs open in wonder, one finger in for tooth-wiggling. From where Vivian stands, it looks in reflection like Gregor has just stepped out of the girl’s mouth.
“Vivian’s year off” was a euphemism in the family for a year (and running) during which she locked herself away in her apartment, leaving only briefly—at night, baseball cap pulled down over brow—to get necessities. (They can’t see you, but I do.) The family didn’t know the details. (Sure, Viv, I’m sure they can’t guess.) Only that she stopped coming to see them.
When she was a high schooler, she’d begun to blabber incessantly to drown the inner voice. But in college, she spent more and more time alone in a lab surrounded only by insect tanks. Soon that old train of thought cried out within the vibrations of the cicadas and the multi-instrumental improvisations of the Bess beetles. (Sky to birds, water to fish, Vivian to Vivian)
In the lab they’d bred flies: generation after generation, heritable traits cresting and crashing into piles of crispy, indistinguishable winged bodies. At some point, Vivian stopped doing her work and just stared through a microscope at the compound eyes, imagining a strange mosaic of seemingly infinite shards of image. How could all these angles coalesce into one reality?
She went home and locked the door to be alone. Alone with herself, her other voice.
~
Vivian sets two plates of pasta down, whistling “Popeye the Sailor Man.” They eat in silence, except for Vivian mumbling some Popeye lyrics between bites. When she clears their plates, Marie looks up and asks what will happen to the other frogs—the ones frozen deep in the ice.
Vivian boots up her laptop, pops her toothbrush in for idle cleaning, and the two squeeze into the squishy desk chair, Marie climbing uncomfortably aboard Vivian’s lap for a clear view of the screen.
“Shee here,” Vivian says mid-brush after a quick search. “Shum frogsh are made to freej.”
“Aren’t they cold?”
“Nod ad oll!” she says and gives up the brushing. “They aren’t going to die, either. Provided they keep their heads down to avoid ladies like us on skates. When a cold time is coming, they just have to get down deep enough and let it happen. According to this, their hearts beat only once or twice a day during this time. But they must believe it will be warm again one day.”
Marie pushes on her own chest, checking if her heart is still ticking up to speed.
“And in the spring, they’ll thaw out again . . . and nab some flies with their tongues! Yum!” Vivian licks Marie’s cheek, Marie squeals, and they take off on a chase-me game. Marie, captured and tickle-tortured, asks if they can go see the frogs again.
“Maybe another time,” Vivian says, already dreading how Claire will react to her daughter’s gruesome introduction to amphibian roadkill.
Later Marie complains about her tooth, so Vivian helps her loop some floss around it (she has reams and reams of the stuff stashed away), and they do the old doorknob trick.
“Ready?” Vivian says.
Marie nods.
SLAM. POP. And the tooth is out, dragged along the floor like a fish on a hook. Marie collects it and stares.
“You know what happens, right? A new one will come in soon.”
Marie dashes to the bathroom and locks herself in. She’s in there more than an hour before Vivian finally knocks. Marie, what’s up? Are you ok?
“Jusht looking,” she says, and Vivian can picture her seat up on the sink, staring into the bloody gap.
~
Vivian wakes from dreams of fleeing a giant frog’s tongue, lashing out to close her inside its jaws forever. The early morning sun casts a familiar pattern on familiar bedroom walls. (Always the same walls.) She feels the fabric of her pajamas, often what she wears all day (Who’s gonna see you anyway?) and begins to dread. Her mind takes off: Brushing. Puffy eyes. Green goo. Sketch book. A screaming little girl in the black mouth of death. The black mouth of frog. The credit card slot of frog. Big brother splashed with the blood of the academy. Vivian splashed with the blood of brains of frog. Mountains of dead flies. The inevitable voice of DNA. Sketch book.
Crayons! Marie is going to need crayons.
Vivian dons her baseball cap, wads cash into her pajama top’s breast pocket, and, in a motion and a half, whips on her coat and a pair of sandals. Three steps out the door, she does not pause but internally (Hey, what’re you doing out here?), and by the time she is back with the crayons—the big set with every shade light and dark plus built-in sharpener—her toes have gone numb.
Before going back to sleep, she creeps into her guest room and retrieves the tooth from under Marie’s pillow. On the night stand she leaves the Crayolas, the sketch book, and in green crayon on the opened page: Up for ice skating?
~
Marie squats in the center of the pond next to the frog bumps and unzips her little backpack. She takes out the sketch pad and crayons to sketch the frogs in the ice. There are bubbles and leaves and sticks. Some of the frogs’ heads are just below the ice, and some are above, cleaved in two and topped with yesterday’s frog brain debris. Vivian wonders if she was entranced by gruesome things at Marie’s age. She probably was.
She leaves Marie to study the slain frogs to her heart’s content, skating leisurely around the pond.
If her mind is a program, Vivian thinks, she could be copied and continue this passive existence forever. But she’s not sure. She’s starting to think that there is indeed a program, but the Vivian living it is a product of motion—more like an amateur figure skater on a crowded pond than a train on tracks. Here comes a crazy big brother skating in the opposite direction to hit her with a snowball, and she takes off after him, everything shifting around her darting moves. There goes a sister, a niece, a trail of strangers and frogs in the ice that change her path. She might even trip into a pirouette.
Marie holds up her sketch as Vivian glides by: green frogs, frozen in the blue, holding acrobatic poses. Some dead, some alive. Hearts beating once a day, waiting for the thaw. Marie smiles and sticks her tongue at Vivian through the gap of her lost tooth.
JAMES SULLIVAN is the author of the forthcoming short story collection You Start Missing Everybody (Cornerstone Press 2028) and the literary sci-fi novelette Harboring (ELJ Editions). His work has also appeared in Cimarron Review, New Ohio Review, Third Coast, and Fourth Genre among other publications. Originally from South Dakota, he has lived throughout the American Midwest and Japan and now resides in South Carolina. Connect on socials @jfsullivan4th
This story was originally published in Bending Genres, June 2023.
Photo by Nice M Nshuti
The room spins. The ceiling falls. The floor criticises my dress sense. I did this to myself, I know that, but it doesn’t undo that last whisky sour.
A gentle mist lingers in a city peppered with skyscrapers and too many people, and I stumble into the nearest parked taxi. My perfume is heavy, smells of concrete and sulphur, and immediately fills the space. The driver leans on the arm rest and turns back to look at me, asks where to take me.
“Away from here,” I say.
His brow furrows at my eyewear, but I pay him no heed. If it wasn’t for these matte black sunglasses, he’d be solid as a rock right about now. Plus, they hide the bloodshot eyes and puffy eyelids. Great for Gorgons and Hangovers. Title of my autobiography.
Time bleeds together like a well shaken Cosmopolitan. A vague memory of—
The clink of champagne glasses as the waiter brings over two drinks. They fizz and bubble, and when they touch my lips a jolt of electricity pulses through my teeth.
“What are we celebrating?” Stacey asks, holding her glass away from her body like it may bite her.
“Celebrating. Commiserating. Passing the time. Isn’t it all the same?”
Stacey puts down her drink, untouched, and carries on talking about her husband (so busy at work) and her children (they say the funniest things!) and I nod at all the right intervals and smile vacantly, though I can’t help but feel like I’m encouraging a smart pet. A dog who fetches a stick from far away, or a cat that gets his shit directly into the litter tray.
“So, are you seeing anyone at the moment?” she asks as the salad arrives.
His eyes are piercing and blue, and his jaw is sharper than a Sunday crossword puzzle, yet he has all the intelligence of a mouldy piece of cheese, and his conversation makes the snakes that hide beneath the silk red headscarf atop my head drift off into slumber. I could take him back to my bedroom and show him the things I’ve learnt over the decades, but the boredom drips off me and I can hardly muster the excitement.
I get up and leave mid-conversation, and as he calls after me, I stroll to the bar and approach a young waiter, blonde and sleek and with hands way too big for his body, which I adore. He asks what I want to drink, and I lean seductively across the bar.
“Vodka. On the Rocks,” I say, with a wink. I get no reaction from him. My comedy is wasted in a place like this. Where’s Zeus at a time like this? He loved a pun.
The taxi ambles along in silence, and the driver attempts conversation. “So, you from around here?”
The island I’m from is oceans away and aeons past, but I reply affirmatively to save myself the hassle of explaining.
“Lived here long?”
The city rambles by. They’re all the same really; Paris, New York, Rome, Athens, this one… Strip away the colours and the buildings, the smells and the language, and all that’s left is life, death, corruption, greed, desperation and desire. Nothing has changed. Nothing ever does.
“Depends on the perspective. From your point of view, yes. From my own…” I linger, and I think of the ocean. Think of home. “Barely a drop in the sea.”
The island was a lush green; bathed in emerald and marble. Despite the centuries, I remember it vividly. My days were spent among my sisters, and we revelled and we bathed and we enjoyed the pleasures that came with immortality and power. Legends decreed the snakes and the stony gaze a curse; in fact it was a uniqueness. It made me memorable and stand out from the crowd. No one remembers my sister’s names. I barely do.
I remember Perseus, however. How could I forget? He crept onto our island like a thief in the night, hunted me with his shard of mirror and bravado to spare. I hunted him in return, watched him from afar and marvelled at his beauty, at his muscles, at his zeal and courage. Our stalking turned to flirting, and the battle we should have done turned to a wrestle of flesh and passion, him taking me where my eyes could not see him, and I complied in full.
After, as we lay amongst the bushes and watched the sun rise, he told me of his mission and we laughed at the absurdity of it. To satisfy his quest, I let him take the decapitated head of my sister, and I fled the island never to return.
Five thousand years, give or take a decade or two. Stacey is still talking, back on her children. She’ll be dead soon. Her kids too. Relatively speaking, that is. And then I’ll have to make new friends all over again. I order another cocktail. This one is on fire, a layer of flame dancing atop my glass. Prometheus stole fire from the Gods; I get mine with the service charge.
I put my hand out for a taxi, and stumble slightly. Stacey catches me by my shoulder, and the snakes wave back and forth. Like they’re starting a Mexican Wave, and I belch out a laugh.
“You really put those drinks away at lunch, huh?” Stacey says. It’s not a question. The accusation lingers in the air like a bad smell. I briefly consider taking off my sunglasses. That would teach her. “You know,” she continues, “I don’t want you going down a dark path. Maybe you need to go home and take a long, hard look at yourself in the mirror…”
I prod a finger at her chest. “You’d like that, wouldn’t you?”
The taxi moves ever onward. The driver asks what I’ve been doing.
Celebrating. Commiserating. Passing the time. There’s so much time to pass.
SAMUEL EDWARDS writes silly words and weird stories, some of which might get a cheap laugh. He writes mainly to impress his pet cat, a feat he will never accomplish. Samuel has a Masters Degree in Creative Writing from Leeds Trinity University and is previously published in Vestal Review, Maudlin House and Flash Fiction Magazine, among others. Tweets at @Sam_Edwards1990.
I pulled the object out of the box and held it up to the light. It fit in one hand.
I said, “This is the mechanical ballerina that Joseph Stalin took with him everywhere he went. He took it to Berlin to the 1924 Die Kunst der Fälschung Conference and to Prague the year after. In his memoirs he called it his most precious object. He received it as a gift from a teacher when he was attending the Tiflis Theological Seminary in the Caucasus, and later he gave it to Ekaterina, his first wife. She died in 1907 holding it in her hand. It was on his office desk in Moscow for thirty years and can be seen in rare photographs by Slotkin and Dubrovny dated 1930 and 1947. In his later years, when he’d co-opted Zhdanov into murdering all of his opposition and Stalin couldn’t sleep, he kept it by his bedside. They say he made the ballerina dance all night. Look. It still works.”
I flicked a switch and the first bars of The Nutcracker began to play – a tinny jingle barely audible. The metal dancer, as tall as my pinkie finger, cranked into action with a staccato pliéand surlevé. The paint had long worn off the figurine but a slight smile remained carved into her metal face.
Teller put down his pistol.
“Prove it,” he said.
“Prove what?”
“The provenance.”
There was a moment of silence, which he broke. “Where d’you get it?”
“I can’t give my sources, but it was moved from the State Historical Museum in Moscow to the Hermitage in St. Petersburg, then onto the National Museum of Georgia.”
“Georgia? Where? Atlanta?”
I paused and felt a bead of sweat cut loose on my forehead.
“No,” I said. “Georgia the country. Where Stalin was from.”
“What the hell,” he said. “Stalin was Russian.”
“Born in Georgia.”
Teller stared at me, then at the ballerina, then at me again.
“Jesus,” I said. “Just fucking google it. Georgia’s a country.”
He kept looking at me.
I said, “The ballerina was thought to be lost in a museum fire. It turns up in Finland in the 1970s. The collector dies and his collection gets split between his four children. They hate each other and go their separate ways. Twenty years later the ballerina turns up in Argentina.”
“Argentina?”
“Argentina. In a cardboard box, in a finca outside . . .”
“A what?”
“A finca. A country house. Outside Buenos Aires. Some visiting Communist émigré recognizes it and steals it. Our people authenticate it. It’s the real deal. I gave you the price. The seller said it’s non-negotiable. Take it or leave it.”
“Sounds like a crock of shit to me, all these countries and made-up stories.”
“Objects of this value rarely come on the market. You don’t want it, that’s fine. I walk away. We have other offers.”
He spat onto the concrete floor between us and handed me a bag of money.
“Old style, huh?” I said.
“You gonna count it?”
“What do you think?”
***
I took the elevator to Rhonda Seligman’s office on West Links Avenue. I didn’t bother knocking and she didn’t bother feigning indignation.
“The iron ballerina,” I said. “That’ll be my last job. Teller pulled a gun on me and his goons were blocking the door. I’m out.”
“Wait,” she said. She was sitting at her large fake Louis XIV desk. “Teller isn’t violent.”
“What the fuck did you set me up for? They were Mafiosi. They even wore black leather jackets.”
“Sorry.”
“Sorry won’t cut it,” I said. “If they had a quarter of a brain cell between them, I’d be dead. Stalin and a fucking ballerina. You can’t make this shit up. Except you did.”
“We’ve sold to Teller before. He’s not known for that kind of thing.”
“I don’t give a shit what he’s known for. He pulled a gun on me. I’m out.”
I handed her a sports bag.
“Here’s your money. I took my cut already. And don’t even think of threatening me. If I die in the next twelve months, it triggers a message that goes directly to the FBI and a bunch of other folks and you’re out of business at best, in jail at worst. I’m not a squealer and I kept my nerve with Teller, but I’m out.”
“Sit down,” she said.
“No.”
I headed for the door.
“Wait!” she called after me. “Hey!”
I exited. I took the stairs and pushed open the big double doors. There were a few people milling about and the midday sun was almost blinding. She was right behind me, trying to keep up.
She said, “Teller was faking it. He’s with us.”
I stopped. “What?”
She ushered me into a side street.
“You have no idea,” she said. “You don’t know anything. Half the people you sell to aren’t the real buyers. More than half. They’re the middlemen – brokers and lackeys. You think a worm like Teller has a million dollars to buy a trinket? That isn’t even his real name.”
“Why did he pull a gun on me?”
“The people he works for are goons. They’re Mafia.”
“You just said he’s one of us.”
“He is. He’s playing a part. You’ve never heard of a double agent? An embedded asset? Jesus wept.”
***
“‘Jesus wept’ is the shortest verse in the King James Bible. But you know that already.”
I left a pause for effect, cleared my throat and leaned forward. They were listening, all three of them dressed in black raincoats, a wake of prehistoric birds.
“What I’m telling you now is that as Jesus wept, Bartholomew, one of his disciples, wiped Jesus’s eyes with the back of his hand and mixed the tears in a vial full of the waters of Galilee. Then he wrapped the vial in cloth and put it in a bronze tabernacle which he placed deep in the cave of Simon the Pious. There, it survived for twenty centuries, through wars and cataclysms of many kinds. Gentlemen, these are the tears of Jesus our Lord and savior. You have one chance to buy this vial. The Catholic Church would give me half of Christendom for it, more gold than in all the cathedrals of Latin America. I already told you the price. Let me know within the hour.”
We were in Gdansk and the rain wouldn’t stop. It rattled a tattoo on the window. The guy opposite me was an American representing a Polish shipping magnate and the office stank of whale oil. He nodded and said something in Polish to the two advisers. One of them initiated a bank transfer on a laptop while I waited in silence.
Eventually, the American said, “Where are you from in the States?”
“New York,” I said.
“Which part?”
I looked at my watch, heard the rain hammering. “I moved around.”
I checked my phone, saw the transfer had gone through, and got out of there.
***
The Fabrication Room back in the States is like something out of the bar scene in Star Wars: a freak show, fifteen kooks, crackpots, and deviants from different galaxies. There were Algerian forgers, Colombian counterfeiters, Danish furniture makers. There was Scaramucci the Fence from God knows what hellhole, but he had only one arm and he walked with a limp; Helmut the German who’d gone from stealing hubcaps to lifting Picassos in nine months; Mickey Six, who got his nickname from being sentenced to six years in prison three times, and served as the heavy; a researcher with a doctorate in History from Harvard; a geologist from the Sorbonne; an anthropologist from Cambridge; and a bunch of tech guys who faked all the documents.
Then there was the backroom where Stamowicz worked. He was a painter who specialized in Old Masters – particularly Titian and Giotto. His room was the largest in the building – a cross between a science lab, a library, and an art studio. He had pipettes, Bunsen burners, and test tubes full of chemical agents that he used to age the canvases, maybe five hundred art books, and pots of paint and brushes of every kind everywhere. The floor was laid out with old, pigment-spattered newspapers.
Stamowicz was the only one I spoke to regularly. We would hang out in his studio and shoot the shit, me in my everyman demotic, he in his screwball Eastern European argot. He didn’t take himself too seriously, but he was a genius. He’d fooled art historians from Paris to Pyongyang and he didn’t give a damn.
I once asked him why he didn’t just paint his own stuff. He said, “Because I have no talent.” I tried to reason with him but he said, “You think parrot is equal of Shakespeare?”
***
Rhonda Seligman gave me ‘Portrait with Parrot,’ an oil painting from the School of Rembrandt, to sell to one of the world’s biggest private collectors. To be precise, she gave me ‘Portrait with Parrot,’ a Stamowicz fake, to sell to one of the world’s biggest private collectors. But to everyone else it was a School of Rembrandt, a late work by the Dutchman Abraham van Gelder.
I’d told her, “I’ll do one more, then I’m out. And don’t give me anything involving the Mafia or skipping three time zones.” So she gave me the parrot.
I said I needed two months to do my research and get testimonials and she said, “You have four weeks.” As usual, she made up some impossibly prolix story about the provenance of the painting, but this was a School of Rembrandt, not some knockoff conceptual bullshit with two squiggles and a piece of chewing gum. I needed bona fides, which meant contacting a bunch of aesthetes in Boston and Amsterdam, Leiden and Jerusalem. I worked overtime. I hawked the picture around, and got my quotes: yes, School of Rembrandt, x-rayed, spectrometised, verified. The fake document manufacturers in the Fabrication Room did the rest.
My mark was a 65-year-old British woman, heiress to a fortune and matriarch to a family of art collectors. I figured she’d be stupid, like most rich people, but I figured wrong. As soon as I set foot in her office-cum-salon outside London I had a bad feeling. She appraised me immediately, the way you appraise a painting by an Old Master. The room was large and tastefully decorated with big color-field abstracts on the walls and expensive-looking vases on every surface, Qianlong and Ming style, dragons and arabesques. The light fixtures were hidden.
She was tall and slim and polite, the last of which I found intimidating. Most buyers you could imagine pissing in a field or eating hotdogs. Not her. She had money written all over her, and worse, intelligence. She offered me a seat and I took it.
“The piece was painted in 1648,” I began. “It’s from an estate sale: Count Louis Montferrand Orleans, in Geneva via Jerusalem and Leiden.”
I handed her a file full of testimonials. She took a derisive glance.
“Yes, you already sent me these,” she said. “Montferrand Orleans.” She pronounced it like a Frenchwoman. “I know the family. You say it came via Jerusalem?”
I was fucked already. She knew the family. Rhonda was supposed to have invented the family.
“Yes, Jerusalem.”
“Interesting,” she said and rubbed her chin. “But I’m more interested in the parrot. I’m wondering how this minor member of the Dutch bourgeoisie got hold of a parrot for this portrait because parrots were from the New World. And I’m not sure Rembrandt would have approved of the handling of the cloak in the image I saw. Too much sfumato. Don’t look so alarmed. I’m just thinking aloud. But I will need to inspect the canvas for myself.” She smiled.
Of course you will.
I’ve sold a sword owned by Miguel Hernández de Vaca, one of Columbus’s conquistadors. I’ve sold a farewell letter from Boethius to his wife written on parchment on October 23rd, 524 AD, hours before Boethius’s execution. I’ve sold Queen Isabella of Castile’s five-hundred-year-old velvet gloves, Karl Marx’s desk, the leather boots Fidel Castro wore in 1959 when he came down from the Sierra Maestra to take Havana, and Idi Amin’s salmon-pink necktie to a Hitler enthusiast in backwater Namibia. All fakes. But I’ve never tried to sell a School of Rembrandt oil painting to someone who knows Rembrandt’s shoe size and what he ate for breakfast.
He’s with us. That’s what Rhonda Seligman said about Teller, the buyer who pulled a pistol on me. Could this frosty, polite Englishwoman with an encyclopedia for a brain also be one of us? I doubted it.
“Please put it here,” she said and pointed to a table by the west wall. I took the painting from its reinforced portfolio bag and placed it on the flat surface. She opened a desk drawer and pulled out a flashlight, switched it on, and bent over the painting. “Oh,” she said. “Please make yourself at home. I’ll be a while. Would you like something to drink?”
“No, I’m fine. Thank you.” I sat. She examined.
At some point she began talking to herself. I tried to make out what she was saying, but I only caught snatches, individual words: pigmentation . . . canvas . . . discoloration. Then I realized she was talking into a recording device on the flashlight. This went on for what seemed like several days.
Suddenly, she looked up and asked, “Who painted it?”
“Abraham van Gelder,” I said. “He was a former pupil of . . .”
“No,” she said. A moment of silence passed between us. She caught my eye. “Who painted it?”
“I’m telling you. Abraham van Gelder of the School of . . . “
“No.” She stood up straight and stared at me square in the face. “You and I, perhaps for different reasons, both know that Abraham van Gelder didn’t paint this. I know because the background uses titanium white, which wasn’t invented until the twentieth century, and although the brushstrokes are a marvel, they aren’t Abraham van Gelder’s brushstrokes. They look more like Giotto. Or someone imitating Giotto. And so I ask you once again: who painted it?”
“Madam,” I said, “you’ve read the testimonials, the documents proving the provenance of the work. It’s been authenticated by some of the best minds in . . .”
“I don’t care who authenticated it. This painting isn’t by Abraham van Gelder.”
“I’m a salesman. I understand the work doesn’t appeal to you and so I rescind the offer.”
I got up from the chair, walked over as casually as I could, picked up the painting from the table, and returned it to its portfolio bag.
Without taking her eyes off me, she said, “The artist is highly skilled.”
Indeed. Stamowicz is a genius. But I wasn’t about to give him away.
Then she spoke again. “Was it Kurnov or Stamowicz?”
I looked at her sharply. She smiled. “Ah. Stamowicz,” she said.
***
The rain was still pounding. It seemed that everywhere I went I conjured a tropical storm. Berlin, Chicago, Gdansk, Amsterdam, London, the Gobi Desert. I shook out my umbrella, took the steps two at a time and barged through Rhonda Seligman’s door.
“Don’t bother to knock,” she said.
I opened the portfolio bag strapped to my back and pulled out ‘Portrait with Parrot.’
“She said it uses titanium white and the brushstrokes are wrong. She basically said Stamowicz fucked up and she mentioned him by name. And she knew the Montferrand Orleans family, which was supposed to be fictional. In other words, she had me by the balls. In other words, I’m done. I don’t need the money and I sure as hell don’t need Interpol knocking on my door. No hard feelings. Here’s the painting. Send my love to Stamowicz, the dumb fuck.”
Rhonda pulled some kind of face that I figured was meant to be enigmatic, but by that stage I was halfway out the door.
“Oh,” I said, “and by the way, you still need me alive. I drop dead, the FBI is on your ass.”
“You told me last time.”
“Adios.”
God knows what happened with the parrot painting. There’s no way Stamowicz makes that mistake or a fictional family turns out to be real. But I figured in the house of mirrors in which I lived, anything could happen. That room in the mansion outside London passed through my memory: color-field paintings that looked like Rothkos and vases that looked like Qianlong dynasty and Ming dynasty and a woman who looked and sounded like a British aristocrat, but if I know one damn thing in this life, it’s that nothing is what it seems.
I hailed a taxi and watched the grey city pulsing through the blur of the rain. When I got home, I took off my coat and felt something small and hard in the outside pocket. It was an iron ballerina.
“The fuck?”
I inspected it. It wasn’t the one I’d sold Teller. Maybe it was a souvenir from the Fabrication Room. Had they known I was leaving? Maybe it was a threat of some kind. Stalin was, after all, the biggest mass murderer in history. I sat on my sofa and examined the figure. A patina of rust on the plinth. A barely perceptible smile on the dancer’s face. I flicked a switch and felt a momentary sting as a globule of dark blood oozed out of my finger.
The opening bars of The Nutcracker rang out and the ballerina dipped and rose.
JJ AMAWORO WILSON is a German-born Anglo-Nigerian-American writer. He is the author or co-author of over twenty books and serves as writer-in-residence at Western New Mexico University and as a faculty member on Stonecoast’s MFA in Creative Writing. His first novel, Damnificados, won four major awards and was an Oprah Top Pick. His most recent novel is Nazaré. For two of his non-fiction books, he was honored at Buckingham Palace in 2008 and 2011.
This story was originally published in Stonecoast Review, June 2023.
Photo by Alexander Zvir
She was short and thick, with dry, bloodshot eyes and skin as white as the belly of a fish. Even when she was crying—which was often—tears rarely came. She’d rub the backs of her hands into her eyes until they reddened, and if she ever did tear up it wouldn’t last long. She did this a lot, this dry-eyed crying and eye rubbing. But who wouldn’t if they had that supernatural fish-belly white skin? Out of joy, if nothing else, so dazzling was that skin. And her belly! Like no belly I’d ever seen, except for the belly of something hooked at the end of a line of ten-pound test: a rock-salt white, like the glimmer you see when you’re reeling in a crappie as it swerves through the water in sewing-needle stitches, the sun blinding you while the sparkling belly cuts back and forth, back and forth. Barb’s belly was like that.
Her name, when I first heard it, made me think of a fishhook. So much like a crappie she was, both in name and in belly, that even now I envision her mouth pulled to one side, the metal shank and eye of a huge fishhook protruding from pursed lips, her belly befuddling me in my attempt to pry the hook loose.
Our first meeting had been prearranged. We were to meet in an ice fishing house on Lake Mille Lacs in central Minnesota. The directions given to me by email were: Drive onto the ice at Goose Landing, go one mile due west (use a compass if you have to), and stop at the yellow icehouse marked “Ol’ Yeller.” Noon, this Sunday, (Valentine’s Day). Don’t bring anything—we’ve got you.
I arrived early. The empty, unlocked icehouse was colder inside than out, but a small woodstove waited in a corner. Thick, insulated carpeting covered the walls from floor to ceiling. A hole in the ice beckoned—it must have been cut just recently—but there wasn’t any tackle that I could see. Fishing would have to come later. I removed my buckskin choppers and pulled out my new phone. Lake Mille Lacs is over two hundred square miles and an hour from anywhere, yet reception was good. Surprisingly good. I sat on a small bench, put my phone down, and took note of a lone Styrofoam cooler. Nothing about the cooler suggested it was off limits, so I lifted the top. Inside was a six-pack of canned beer. I removed a can and popped it open. Ice cold, but not frozen. I took a sip. Bubbles of carbon dioxide danced between my teeth. I had to ask myself: Who drives a mile onto a frozen lake and sits in an icehouse drinking beer alone on a winter afternoon that might be better spent in any number of different ways? Me, that’s who. Me and probably ten thousand other dudes across this godforsaken state.
That was when she walked into the icehouse, grabbed a can of beer for herself (after eyeballing mine) and told me her name. Which I already knew: Barb. Almost right away she showed me her belly. She simply lifted up her shirt, and there it was, so perfectly white, so blindingly, eerily fish-like that I lost my mind right there and put my hand straight out to touch it. As soon as I did, she dropped her shirt immediately, or almost immediately, but actually too late, because now my hand was underneath her shirt and things were not looking terribly good. But before I could pull my hand away, she pulled her shirt back up again. When for the second time I saw her smooth, white, eggshell-of-a-belly (so perfect, so round, like a glass of milk), I pulled my hand away in defense of my own sanity. Finally, she spoke: “Put it back.”
“My hand?”
“Yes.”
“If I do, are you going to pull your shirt down again?”
“Probably not. Your hands are nice and warm. Well, at least that hand is.”
She looked at my right hand, the one that wasn’t holding a cold can of beer inside a cold icehouse on a cold, clear February day on Lake Mille Lacs, where it was five below zero and forecast to get even colder. Now, because of all that, I felt that possessing a warm hand was pretty sensational. I was glad she remarked on it, and I told her so. Then I put my hand back on her belly. But right away she lowered her shirt again.
“Why did you do that?” I pulled back my hand.
“Because I don’t love you,” she said.
I took another sip of beer. “Well, we just met. Just this very minute. So that’s fine. That’s normal.”
“Normal? Normal is out the window. Think about it. You fell in love with me right away.”
I thought about it, and by God if she wasn’t right.
“You might as well admit it.” She stared at me and threatened to pull her shirt up again. She said nothing else, but gripped her shirt while taking a quick sip of beer, then another, and another, which was a nice way of saying, “Don’t take too long.”
I just wanted to think for a few more sips, and then I’d say something. But by the fifth and final sip, which was more of a chug, she crushed the can, and my time was up.
“Okay, fine. I fell in love with you right away,” I admitted. “But so what?”
It was a test of some sort, that’s what. And maybe that’s why Maggie and Jim were not there yet. And maybe that’s why they had asked me to come up from Minneapolis in the first place, to meet Barb as a test, and to supposedly fish, drink beer, and enjoy the lake ice. And, while I was indeed planning on doing those things, there was this short, pale, gorgeously-bellied woman staring at me (and yes, I was in love with her, but so what?) inside an icehouse in the middle of a big frozen lake. Why did she have to go and show me her coconut-meat-like belly? Like a mushroom in a children’s book. Like a rising loaf of sourdough. Like looking out through the porthole of a dark submarine and seeing, perhaps for the first time, the luminous white belly of the Whale-of-Life. But this was no ordinary luminous white belly of the Whale-of-Life. I realized right then that Barb’s belly was more than I could have ever hoped for. There was absolutely no point in denying it.
“Okay, here.” She pulled her shirt up again. A little farther this time, for emphasis. This caused me to take a half step toward her. It must have been the half step that crossed the line this time, because right away she shoved the crushed beer can into my chest and dropped her shirt.
“Stop,” she said.
I stopped. “Okay, but I’d appreciate it if you would just keep your shirt down all the way.”
“That’s fine.”
I didn’t know exactly what fine meant, but it was obviously fine, so I thanked her. She opened the lid of the cooler, pulled out two more cans of beer, and offered me one. “Here, drink this.” I took it with my left hand, the cold Minnesota hand that she didn’t know about yet. And she probably never would, I figured, because just then she began to cry. The crying was dry, and soon her eyes were bloodshot red. Red like two lit cherry bombs. Red like gunpowder, if gunpowder were red. Red like two smoke alarms, the old-fashioned kind, both ringing at once. I don’t know why on earth I loved her so much, so soon, but I did.
“Do you like winter?” I asked.
“No, I hate it. But I hate summer more.” She looked down at her buckskin choppers, identical to my own. “I hardly go outside in the summer. I would get sunburned right away, and I refuse to burn.”
“You should stay out of the sun, too, with that bald head of yours.”
My stocking cap covered my entire head and forehead, so Maggie and Jim must have tipped her off. I backed up. She sniffed a dry sniff, then opened her can of beer. I did the same. I was impressed she could pop it open with choppers on, and I might have complimented her, but she was still trying to cry. I took another step back and hit my heel on the bench. My phone slid down and landed on the ice, stopping right at the edge of the fishing hole. Over the edge, actually, but a thin sheet of new ice had formed, saving it from falling in. It was going to be okay. I just had to go over and pick it up.
“No, don’t.” I looked back at her. “But, it’s my new phone.”
“Leave it,” she said. “Just look right here.” She pointed at her belly.
“It’s brand new.”
“Do you see this?” She pulled her shirt up again and exposed her downy-white belly, like a bale of cotton, like a sheet of fine parchment, like a sundial at noon.
“Yes, I see it.”
“Now, concentrate.”
I looked at the light emanating from her belly. It was the kind of white light you die into when you die of old age, in hospice, surrounded by the very best doctors and all your important loved ones after a greatly successful and impossibly fulfilling life.
“I said concentrate.”
“I am concentrating.”
“You’re just staring.”
As I focused on her belly, trying to concentrate but not stare, the wind blew the icehouse door open, revealing a crisp white page of frozen lake. Light ruptured the space between us and I stood impotent before her and her white, white belly which she held exposed.
“Take a step,” she said, “toward me.”
Voices echoed from across the ice. I took a step.
“Your phone is about to fall into the water. It’s sliding as I speak. But! Don’t turn around. Just look right here, at me, and everything will be absolutely fine.”
I was about to ask her what she meant by fine this time when she began to cry again. That was when I heard my phone plop into the water. But I didn’t turn. Instead, I kept looking at her belly, vellum-white, scripture-pure. Her player-piano-scroll-of-a-belly. Her wedding-cake-frosting belly. Her bleached-linen-pillowcase belly. She began to tremble. Her belly shook, and she dropped her shirt again. She set the beer can down and put her choppers up to her cheeks. I believed this was all I would ever again see of that belly, even if she stood there forever trying to cry, even if I stood there forever waiting for her. I also believed her tears would never come, but I was wrong, because at last her eyes began to glisten with saline. Soon, huge droplets fell from her eyes, onto her cheeks, and onto the smooth buckskin of her choppers, turning them dark in streaks. She pulled them off and threw them into the fishing hole.
The icehouse door blew closed again, slamming loudly, and she reacted with a shriek. This, I thought, is all my fault. But now she was looking behind me, toward the hole in the ice. I turned around, and there was my phone.
“It just popped back up,” she said. “By itself.” She pointed. “Check if it still works.”
I reached for my phone. It was wet, cold, dead. I dried it on my jeans and warmed it underneath my arm. I rubbed it on my nose for luck. When I pressed and held the power button it vibrated and came to life. A second later it rang. I looked at the caller ID: an unknown local number. I turned to Barb.
“You’d better answer that,” she said.
Yes. Of course. Answer it. I pressed the blinking green receiver icon, twice, because it didn’t work the first time. “Hello?”
It was Maggie. She said she was using Barb’s dad’s phone. Of course it was Barb’s dad’s phone. It was Barb’s dad’s icehouse. And Barb’s dad’s beer. And Barb’s dad’s daughter, Barb, herself, was here. And Maggie and Jim were Barb’s friends, and my friends too, and they were going back to Barb’s dad’s cabin to get more of Barb’s dad’s beer. Had we found each other? Did we need anything?
“Yes,” I said. “Bring back an extra pair of choppers.”
Will do. The call ended. I put the phone in my back pocket. Barb had been rubbing her eyes the entire time, and once again her tears were failing her. She looked at her wet choppers floating in the fishing hole like two tiny lifeboats.
“I can tell you’re glad you came,” she said. “Am I Right?”
How unremarkable I must seem to her, I thought. How unworthy, how undignified, how un-crappie-like, how un-bellied. “No,” I said. “You’re not right.”
“Sure, okay.”
The crying ended. We went on to have a boring conversation, the usual kind, about where we worked, where we had gone to school, how each of us had met Maggie and Jim, whether we actually liked ice fishing or merely the idea of it. Finally, we heard the sound of a car pulling up to the icehouse. That was when she said, “I need you to do something for me.”
“What?” I asked, in a voice that betrayed I’d do practically anything at all.
“When you tell this story someday, I need you to lie.” She clicked her heels together and crossed her arms. “I need you to say that when we first met, we just shook hands and talked. I never showed you my belly and you never touched it. Your phone never fell into the water, and it never popped back up on its own. I need you to forget all that. And I need you—need you—to say we didn’t fall in love right away. Instead, we fell in love later, over time, like normal. Do you think you can do that?” She pulled up her shirt one last time, giving me one last hypnotic glimpse, like the last frame at the end of the last movie ever made. “Well?”
I thought for a moment, and simply nodded. Though I continued to nod, I sensed she did not believe me. She lowered her shirt, and with it her expectations. As Maggie and Jim opened the door, I looked back at the hole in the ice. Her choppers were gone.
STEVEN LAWRENCE LANG is a writer, an artist, an orphan, a father, and a frustrated guitar player from St. Paul, Minnesota. His fiction has appeared in various print and online publications including CutBank, Chestnut Review, Catamaran, Prime Number Magazine, Stonecoast Review, Fiction on a Stick (Milkweed Editions), and The Art of Wonder (University of Minnesota Press). His debut novel, The Art of Falling Apart, will be out this summer.
I land in Boston early, hit the interstate in my rental car while it’s still dark. I cross the Piscataqua bridge into Maine as the sun comes up, thinking one of these days I should hike up here on the Appalachian Trail. Not that I’m a huge hiker. I’d just read an article about it on the plane. It said thousands hike the Trail every year. For me, it would have to be a “skip-n-hike” kind of thing, where you travel most of the way in a car or a luxury motorhome. You’d stop at various points to “hike the highlights” of the Trail, with a few detours for fine dining and boutique shopping along the way. I ponder this idea as I continue northward.
Two hours later, I’m in the mid-coast region on a rural highway, one of those asphalt ribbons pulsing dark and light between overtowering canopy green and rolling hills carpeted in green; tree then grass, forest then farmland, leaf and branch followed by pasture and fencepost, and then I come upon one of those backwoods gas-station-slash-convenience-stores where they sell everything: all the necessities for any season, from fishing worms to de-icer, from shotgun shells to wedding dresses, from brand-name plasticized snack food to fresh-made breakfast sandwiches wrapped in foil and kept warm in those heated glass display carousels. I haven’t been to Maine in years, but I remember those sandwiches. They’re what I’ve been looking forward to most.
I pull in, fill the tank. I go inside and head straight to the food counter where two old-timers in bib-overalls are drinking coffee and chatting with the cook. “Sprung a damn leak in one o’ my waders,” says one of the old-timers. He goes on with his story as the cook, Janice, according to her nametag, steps to the counter to take my order.
I say sausage-and-egg-w-cheese, and she says, “I’m happy to make it for you, but we have those in the ready-made if you don’t want to wait.”
Janice is middle-aged pushing old. I almost feel bad making her make me a sandwich when there’s ready-mades of the same sandwich, but Janice isn’t expressing a preference, and doesn’t show a hint of frailty.
“Nope. I didn’t drive all the way up here from Georgia for a ready-made,” I grin. “I want mine hot off the griddle.”
She nods, “Hot off the griddle’s what I’m here for.”
Janice starts my sandwich while I go grab a coffee and wander around looking at handcrafted souvenirs made by local artisans and the many varieties of windshield wiper fluid. You can get a pink kind that’s good down to 20 degrees below zero, and there are two kinds—one blue, one orange—that’ll get you all the way down to minus-25. I’m reading the jokey souvenir t-shirts when I hear Janice say, “Ma’am.”
I look up and she waves my foil-wrapped sandwich at me.
“Leak was in the right boot, but I felt the water in both feet,” old-timer still talking about his leaky waders, “an’ it was warm as piss.”
“That wa’n’t no leak, Johnnie,” says Old-Timer No. 2.
“Yeah, that’s what I ‘as thinking, too. I oughta go put my waders on and piss in ‘em to see if it feels the same.” He takes a sip from his mug, winks at me over the rim.
I smile back. Janice is stuffing my sandwich in a paper bag with a wad of napkins.
“Drove up from Georgia, did ya?” says No. 2.
“Yessir.” I slide my sunglasses down a bit and look at him over the rims. “Well, flew in to Boston. Drove from there.”
He nods. “Enjoy your visit, dea-ah.”
I smile again. Janice hands me the bag, and I say, “Thank you, Janice” and carry it to the checkout counter to pay. There’s a good-looking guy ahead of me in line. Reminds me of a kid I knew in high school. David Padowak. As if I could forget that name. We used to eat lunch together in the cafeteria. Kids called him David Paddy-whack or Paddy-whack-me-off. He was so easy-going, he’d just laugh along. They’d tease him for being a homo, and he’d laugh along with that, too. Not like he could deny it, with those dark eyes of his that when you got up close you’d see were deep blue, those long, black eyelashes, jet-black hair. He probably smiled as much as he did so people wouldn’t think him a satanist. How funny it would be to run into David Padowak after all these years, a thousand miles from where we grew up.
I wonder what color this man’s eyes are. I’m looking at the back of his head, his broad shoulders. His hair has a few grays.
The person ahead of him leaves and he steps to the register.
He calls the checkout lady Darla though she doesn’t wear a nametag. This guy’s a local, I think. Memory does funny things, but it sounds like David Padowak’s voice, too, or what I imagine David would sound like after twenty-something years. He’s in a t-shirt and cargo shorts. He could be a tourist, but it’s hard to tell; men dress the same for everything.
Darla puts his items in a paper bag. “Ok, David. See you around, hon,” she says, and I think this is too much to be a coincidence.
“David Padowak?” I say, pronouncing it correctly, pad-o-walk, as I pull off my sunglasses.
He turns around and looks at me and his face blooms into a big smile. “Amy Forester? Well, how about that?” he laughs. “What a funny place to run into you!”
“Well, it’s just on the other end of the Appalachian Trail.” I assume the funny place he’s referring to is Maine. “Do you live here?”
“I do. I do.”
“Wow. How do you like the winters?”
“Oh, they’re part of the fun. And you’re what, on vacation?” He throws a quick glance around the store to see who I’m traveling with.
“Yes. Sort of. I’m here to take pictures and gawk at the scenery, but it’s a work trip.”
“Wow, that’s amazing! Are you a photographer?”
“No, a journalist. I mean, a reporter. I’m doing a piece on women traveling alone. Safety versus fulfillment, is it worth the risk… yadda yadda yadda.”
“Ooh, interesting assignment. So you’re staying around here?”
“Yeah, somewhere. I’m headed up the coast a ways.”
“Well, if you have time you should come out to the house, meet the fam.”
“You’re married?”
“Yep. Two kids.”
Wow, I think. Now I understand why he’s in Maine. People take a live-and-let-live approach here, and gay marriage is one thing, but a gay couple adopting kids is really progressive.
“I would love to meet your family!” I say, with an enthusiasm that probably sounds fake, but I mean it. I’m happy for him. I always felt sorry for him back in the day. There were other gay kids in our school, but David couldn’t hide it, his look, that whole androgynous thing. I thought of him as the conspicuous homo. And the other kids were so mean. He didn’t put upa front like the other gays and homophobes, didn’t stand around holding his balls like they were cannonballs, or brag about his love of burnt steak. He’d always have a different girl on his arm, trying to pass for straight, but it was so obvious. The other gay kids steered clear of him lest they be outed by association. I can’t wait to see what he’s doing in Maine. And who, I mean, I wonder what lucky guy snatched him up?
We exchange phone numbers, and I get back to my day of driving and stopping and taking pictures of anything that could be described as “quaint,” “bucolic” or “natural beauty.” I do what vacationers do: smell the air, feel the sun and say Ahhh, get ice cream at the Tasty Treat. I was planning to go until I hit Canada or snow, whichever came first, but I’m stopping too often to make it that far. Too many sights to see. Boats. Bookshop. Blueberries. Lobster. Iconic MOTEL sign. Click. Click. Clickety click.
While I drive, I think about David, his husband, his kids. His dad ran the fancy-schmancy boys prep school in our town, but it was shut down over an embezzlement scandal involving state money. David ended up in public school with several other rich kids, most of whom blended in just fine because the district enforced a strict dress code policy that included uniforms, but David’s poise and clean fingernails always gave him away. And those working-class hos would fling themselves at him, trying to turn him. But it wasn’t about sex for David. It was him, heart and soul. I remember him sitting down with a plate of nachos, pushing it at his buddies: “Anyone want any? Greg? Bobby?” Those guys were such jerks. “I don’t want your nachos, David. If you want to suck my dick, just ask.”
I stop at a food truck in a marina parking lot. I’m eating one of those famous red hot dogs, gazing at a fleet of sailboats anchored in the harbor, when David texts to follow up on his dinner invitation. I text back, “sure, i’m up the coast, be back in your NOTW tomorrow, 4 or 5 if that works”.
“NOTW?” he replies.
“neck of the woods”
“Ah,” he texts, followed by, “NW. TYT. WBTCWYGH.”
“??”
“No Worries. Take Your Time. We’ll Boil The Crab When You Get Here.”
I reply eye-roll emoji and “see you tomorrow dork”.
He replies with laughing emoji and sends his address.
I make it to Bar Harbor with not enough light left to look around. I grab dinner, check into my motel, call my editor to confirm plans for tomorrow. I’m driving back down the coast to somewhere close to Boston for an easy jaunt to the airport the following morning. I tell her about the antique clock I bought to put on the mantel over my fake fireplace.
“Jewed the guy down twenty bucks,” I say, “almost what I paid to ship it home.”
She laughs. “You’re terrible,” she says.
I tell her about my dinner plans with David and his family. “They’re men. Gay couple.”
“Where does he live?” she asks. “Is it out of the way?”
I give her the address.
“Amy, it’s all the way at the end of a peninsula,” she says with a slight tone. She’s looking at street view on an online map.
“Yeah? So?”
“Looks like a long way from help if this guy turns out to be a creep.”
“He’s not like that, Bea. He grew up rich. This is probably his summer home. He probably winters in Vail. Ooh, no, Hawaii!”
“What if he turns out to be, just, regular terrible? How well did you know him?”
“We were friends. For a while, anyway.” I tell her about the nachos.
“For a while? What happened?”
“Kids started calling me ‘fag hag.’ And, you know… high school is so brutal.”
“Oh, Amy.”
“I know, I know, I’m the one that turned out terrible.”
Bea laughs.
Next day, when I get close to the mid-coast region, I stop off at a grocery store for a bottle of prosecco. I type David’s address into my maps app and the blue line leads me all the way down one of Maine’s famous peninsulas to an adorable cottage by the sea. Cedar shingle siding, flat blue trim, colorful buoys hanging about, just like you see in calendars. It’s near the mouth of an inlet protected by several barrier islands, similar looking cottages trimmed in different colors clustered around, but standing at the edge of his yard you can see a narrow strip of ocean all the way to the horizon. I park in the gravel driveway behind a white Subaru. David and a woman walk out of the house to greet me.
“Amy, you made it!” says David. “Welcome, welcome!”
He approaches with open arms as I climb out of my car.
“We’re so glad you’re here.”
He hugs me and then steps back, keeping a hand on my shoulder, and introduces me to the woman.
“Amy, my wife, Tina.”
Wife? I think it, but I don’t say it. That’s the kind of thing that arouses a wife’s suspicions. It would sound to her like David ran into an old girlfriend and didn’t mention he had a wife. But I’m thinking, why does David have a wife? I smile through it. I shake her hand, gush over how cute they are together. I had driven out here expecting to find David, his husband and two kids. He did mention his husband, didn’t he? Then it hits me: No, he said come meet ‘the fam.’ Fucking hipster lingo.
I look at Tina a second time in the dawn of this new light.
She’s perfect. She could be his sister. She’s David minus twenty percent: twenty-percent smaller head, twenty-percent narrower shoulders, twenty-percent smaller gorgeous butt, and rounder in those yoga pants. Twenty-percent larger bust. David’s perfect nose, on her, is pert and cute. Her eyes twinkle like his. Perfect teeth. A few age lines and her chest is freckled, but she’s girlishly pretty. Doesn’t have his blue eyes, though. Hers are green.
We stroll around their yard. It’s a perfect Maine day. Sunny, light breeze. I smell salt and roses. The turf curls over the bluff and drops in craggy steps five or six feet to the water. I’m in sandals and the grass grazes the sides of my feet. There’s a cute work shed, a three-sided firewood shed, everything in cedar shingles and blue trim, bouquet of pink flowers hangs on the shed door, all very lovely, but I can’t stop thinking, This is all so gay; how is David’s partner not male?
David calls to two kids on a nearby dock. “Boys, come on, my friend’s here!”
The boys gather up their things and start making their way on a low-tide path below the shoreline. One of them carries a bucket that sloshes water with every step.
“I hope you don’t mind we’re not feeding you lobster,” says David. “Our fish market is all decked out in political paraphernalia these days, so we haven’t been buying lobster. But we can get crab right here for free.”
“Oh, I love crab,” I say, but I don’t give a shit about the crustaceans, I’m curious about these kids. Their heads pop up over the bluff looking like David and Tina in miniature.
Tina introduces me, her hand on the taller kid’s head, “This is David Jr.,” she says—David Jr. sticks out his hand saying pleasedtameetcha—“and the little one is Henry.” Henry had climbed into the yard with his brother all chatty and smiley, and now he stands half hidden behind his dad, peering at this Southern stranger.
I smile at Henry. I look at David Jr., then David Sr., then Tina. There’s a story here, but I can’t get at it directly, so I say, “David, we didn’t have but a moment to chat yesterday. Now, you’ve had me wondering all day how you ended up in Maine?”
“Oh, Tina’s from here. We met in college. I don’t know if you remember, I went to Dartmouth…” They had graduated, married, she works in local government, her parents live nearby and “they’re getting older…”—David and Tina stare at the ground for a moment with that solemn look—“He can teach high school anywhere…,” Tina goes on with the blah blah blah. I’m listening for clues, but nothing they say hints at why or how David stopped being gay. Her family isn’t religious. She isn’t…
Maybe she’s one of those trans women. The thought leaps into my head before I see it coming. Of course! I feel so old-fashioned not seeing it sooner.
“Have you been together long?” I ask.
“Uh, yes, since college, as I said. We started dating our sophomore year.”
“Oh, I mean…”
I don’t know what I mean. I feel my neck turn red and let my gaze follow the line of the inlet out to sea. How does that even work? Trans women can’t have babies; the surgery they get is all cosmetic.
“I bet you get a pretty sunrise here,” I change the subject.
“Oh, they’re absolutely gorgeous,” says David, and I steal a glance at his wife’s tits.
David and the boys take the crab bucket to a corner of the deck where there’s a propane burner set up. Tina leads me inside the house, offers me a can of seltzer. We stand in the kitchen admiring the view through a wall of windows looking out over the water.
“David says you’re doing a piece on women traveling alone. Is it for publication?”
Did they use a surrogate? Did they use Tina’s sperm or David’s? Or can you mix them? “Um, yes, I write a column for the Atlanta Singer. It’s sort of an experiential piece. We’re exploring the world through the lens of, what if women always had equality? I’m traveling as if women were safe wherever we go, so, hello, Maine,” I say with jazz hands. “I just have to imagine, what if the whole world was like Maine?”
“Well, it’s not a danger-free zone,” says Tina, “but the rest of the world could do a lot worse than Maine. No doubt about that.”
There are family pictures tacked to a bulletin board in a phone cubby next to the fridge. David and Tina and their kids on a beach. David and Tina and their kids on a mountain. David and Tina and their kids with a moose. The kids I just met in the yard are ten, maybe twelve. The pictures go back to their early childhood and further. There’s one of a much younger David and Tina sitting next to Santa with a single shrieking baby on Santa’s lap, the two Davids in father-and-son Dartmouth sweatshirts.
Tina looks at the pictures with me. “Little Davey did not like Santa. He’s never really warmed up to Christmas at all, in fact.”
So we’re talking reproductive technology of twelve-ish years ago. I look at her face in profile. Yep, cosmetic. They definitely used a surrogate. I’m starting to see it—the faint mustache, the squareness of her jaw, the definition in her forearms—but I say nothing, like it’s totally normal. It makes me feel proud, like, this is what an ally feels like.
Further up the bulletin board there’s a picture of someone on a frozen lake in snow bibs and a bright, red jacket holding a hockey stick and a bottle of gin. The edge of another photo is covering the person’s face, but they’re the right size to be Tina. Tina from college days. A young Tina. Maybe not Tina, but Tim, or something, but the person has long hair spilling down over their shoulders. I reach to move the photo covering their face, but the boys thunder in from the deck through a sliding glass door. They run through the kitchen and clomp up the stairs. David comes in behind them and joins us in the kitchen.
“Those are some big crabs the boys caught,” he says. “Amy, I hope you brought your appetite.”
“How does one catch crabs out here on the coast?” I ask. “I only know how to catch crabs in the city.” I say it smirking and the joke lands, catches Tina off guard. She laughs hard and my ears pick up her masculine undertones, but I’m impressed with the results of what must have been years of voice training. Even her little snort sounds feminine.
The boys stomp back down the stairs and we head outside for a walk on the rocks while the crab water heats up. Tide is coming in. Henry gets close to the water on some steep rocks and Tina bellows at him: “That’s far enough, Henry!” It makes me feel welcome, being allowed to hear that, like she’s letting me inside her safe family bubble, way down here on the end of a peninsula twenty miles from civilization.
“How did you guys find this place?” I ask.
“Usual way,” says David, “real estate agent gave us a list. Everything else was further inland, and the same distance from town as we are here, but here we can catch fish right out of our back yard. It was a no-brainer.”
“How long ago was that? Did you have the boys already?” I’m probing, asking a question to which most women would include in their answer, “…when I was pregnant with [name of child]…”
“Nope, they came with us. We moved from Lewiston after the shooting.”
Damn, I think, to the lack of information about pregnancies, and Shit, I think, for my question having brought up a painful memory.
We return to the house. Crab water’s almost boiling. The boys go inside to play video games.
“I’ll go set up for dinner,” says Tina. “Amy, you stay out here and watch the crab boil.”
“Aye, aye,” I say, in the spirit of the ocean.
The crabs are in an ice chest. David snatches them out one at a time with tongs and drops them in the cauldron, puts the lid on, and that’s all there is to that.
Tina brings out plates, etc., sets up the table on the deck. She brings the side dishes: buttery mashed potatoes and a salad in a big, wooden bowl, but the salad’s store-bought, she tells me—spinach with walnuts and mandarin oranges.
I say it looks good to me.
David pulls the crabs out of the pot and tosses them in an even bigger bowl. Tina calls the boys and we eat with the sun drifting low. Crab eaters provide a lot of coaching and instruction when new people eat crab—“Break that knuckle with the pliers… Good, now grab the meat with your fingers and pull straight out… don’t forget to dip it in the butter”—which gives me an excuse to watch Tina eat. I’m really seeing it now, the way she tears the crab apart, works the shell-cracking pliers like an auto mechanic, rips out the meat with her teeth.
Henry gets into the shell cracking, too. Hell, so do I. I break open a leg and water squirts me in the face. Henry laughs. He’s warming up to me. Everyone’s in the spirit of it.
“This is so good. You guys eat like this every day? Sorry, I don’t mean guys as in guys. I should’ve said y’all.”
David shrugs, “Not every day, but we almost could. We get lobster on occasion from our neighbor. He has a few traps out here in the inlet.”
“Don’t forget scallops, Daddy,” says Henry through a mouthful of crabmeat, his eyes smiling, face smeared with butter.
“You love your scallops, don’t you, bud,” says David.
“Yep, he’d starve if he was allergic to shellfish instead of gluten,” says Tina.
As if by instinct, all heads swing in David Jr.’s direction. His face is clean, his crab mostly intact, one leg slightly fissured and only partially disgorged of its tissue.
“Davey’s more of a steak man, aren’t you, hon,” says Tina.
David Jr. beams a fake smile at her, one that looks practiced, like it’s the face he’s been told to put on for countless family meals in which shellfish was served rather than hoofmeat.
Everything seems so clear now—I look at Henry and then David Jr.—except the genetics, but I hazily recall an article I skimmed over once in a nail salon about doctors inseminating lesbians with DNA from their partners. I wonder how they do it, but I figure I’ll look up the medical science later. For now, I just feel so happy for David. Tina seems like a genuine gal. I imagine David meeting and falling in love with—Tim, maybe, at the time—who turns out to be not gay but transgender. And now she’s a lady, but with a body that fulfills David’s natural desires. It’s perfect!
I realize I’m having indecent thoughts about friends and clear my head, but I let my heart linger on the emotion for a moment.
The boys excuse themselves and head upstairs. David pushes back from the table. “I have to give Henry his pill,” he says, and heads inside with a stack of dishes.
Tina leans back in her chair with her wine glass. A breeze scatters a few hairs across her face and she combs them away with her fingernails, shiny in clear polish.
“So, how did you guys meet?” I ask.
“Oh, that’s such a boring story. It was at a party on a frozen lake. David and I stopped by the drink table at the same time.”
“Hmm,” I say, sounding interested.
“He poured himself a cup of tonic, so I grabbed the gin and skated off with it.” She scrunches her cute nose, winks; “Made him chase me,” she says, with a provocative, one-shoulder shrug.
“Aww,” I smile.
So that was her in the photo, and she had long hair because… she was… presenting as a woman… ??
“Wait,” I say, feeling bold on prosecco, “were you already out when you and David started dating?”
“Out? What do you mean?”
“Out. You know, as a woman.”
“I’m not sure I understand what you’re asking.”
“Well, I’m assuming you and David started dating when you were still a man.”
“I don’t… What? Why would you assume that?”
I know it’s partly the prosecco, but I’m feeling very close to Tina. I’m speaking to her more intimately; woman to woman, you might say. “I mean, I can tell. Not that you look mannish or anything. And, of course, we all have a mix of masculine and feminine. I mean, you’re all woman in my book…”
“Thanks?” she says. And then, “Look, I’m not sure how much it matters, but I feel like there’s a misunderstanding. I have always been a woman, and never tried it the other way. Maybe I’m reminding you of someone else?”
I smile and nod in that old, conspiratorial fashion. “I mean, I wouldn’t’ve had a clue if I didn’t know your history, but listen, you’re in a safe space when you’re with me.”
“O…k?” She smirks, almost laughs.
I smile and nod, feeling very connected, but Tina goes silent as she sips her wine. She turns to the side and looks out to sea. I start to lose my confidence. I feel my chest sinking in.
David returns with the prosecco bottle. He’s looking at us like he can’t make us out in the fading light. He looks at her, then at me, then at her.
“What are you guys talking about?” he says, like he can tell it’s something weird.
“Well, David, your interesting friend from high school thinks I used to be a man.”
“Used to be a… What?” says David.
“Oh my god, did I… am I… what did I…” I stammer. “OhmygodI’msosorry!”
“Not to worry, though, hon,” Tina goes on. “She says she wouldn’t have suspected a thing if she didn’t know my history? What exactly did you tell her about me?”
“Me? I didn’t tell her… I don’t have a clue what she’s talking about. Amy?”
“No,” I said, shaking my head, “he didn’t say anything. I just… assumed… I mean because… David. You’re gay.” I whisper the word gay.
“Oh my god!” says David, shaking his head. His face drops dramatically into his hands.
“Why would you think that?” says Tina, sounding like an evening news anchor.
“I mean, he shared his nachos. The other kids… They teased him mercilessly. I didn’t believe it. I never thought… David, you always took it so well.”
“I took it well. Is that what gave me away, Amy? Because I always took it so well? It’s because I was in on the joke.” He laughs, remembering it. “Yeah, I had a bit of a pretty boy look when I was a kid,” he says to Tina. “People used to tease me. Mostly my friends. Taught me not to take myself too seriously.”
“I’m so sorry. I feel like a total shit.”
“Don’t bother. What’s there to be sorry about?” David laughs.
“Not you, David. Tina.” I turn to her. “Tina, I hope you’ll forgive me. I really didn’t…” I trail off. I don’t mean what I’m saying. I give her a fresh look in the dawn of this new light. One of those working-class hos got lucky, I think. Kind of butch, honestly.
I look around at their beautiful yard, the deck glowing softly in the kitchen light coming through the sliding glass door, the postcard-perfect cottage, postcard-perfect sunset fading over the ocean, scraps of a fine meal David’s boys just fished up out of the water. I think of David and Tina and their boys on a mountain. David and Tina and their boys on a beach. Tina in the red jacket on a frozen lake… I imagine Tina breaking through it, sinking in the frigid water, arms flailing, her frightened face pummeled by ice chunks, and then the scene turns to summer and it’s me in a bikini holding that bottle of gin. Then the lake freezes over, my hair turns brown and it’s Tina again in her red jacket and snow bibs, saying, “Darlin, this lake freezes solid enough you could drive a truck on it, but you’d have to be a working-class ho to know that.”
She’s just sitting over there in her deck chair, but I can feel her sneaking glances at me through her prosecco glass. I climb back out of my head and look at her. I give her one of those smiles that women give women sometimes that says, I’m just going to smile at you, honey, ‘cause I can’t tell you what I really think. I’m disgusted at myself, and David. I mean, if I’d known all those years ago he was straight, I would’ve been Mrs. David Padowak.
HEATHER JONES earned her MFA in Fiction at Stonecoast in 2025. Her work has appeared in The New York Times, Playboy Magazine, The Rumpus, Massachusetts Literary Review and others. She is a Navy veteran, former behavior analyst and editor of Canopy Literary Review.
a quartet of heads ordered in cardinal seductions,
four beasts brass engraved
with affinity for the forlorn violets your body
threading their maws,
sequestering adipose duvet.
Asphyxiating, the longing,
laying underneath sunlight in bare want,
ready for the taking.
Two hundred oculi
bestow the body in phantasmagoric lathe
erroneous & holy, holy, holy.
Oculi gyre across the body,
shoulders spin for the next head be tasted,
holding a lover over a belly full with seven breasts,
flaming, their swords
divinely procrastinate.
WYRD LEA was born of the bayou, cesspit squirming carcinogens and moss glint. They were a she, daughter, sister, plaything. They were, before all these things, a seed from an orchard of bad ass bitches. Now, they write. Follow their fundraising efforts to save a queer, disabled danmei author from incarceration they cannot survive due to severity of disabilities and updates on the anti-queer crackdown in China at @savedanmeiauthors.
During the last generation’s Western war on the Middle East, Chelsea Manning was incarcerated for disclosing secret documents that blew the whistle on US war crimes. She was incarcerated from 2010 until 2017 when President Obama commuted her sentence. She came out publicly as a transwoman on August 23rd, 2013. For the next twelve days, Z! wrote a poem a day to honor her courage in twice announcing powerful truths to the world.
August 23rd, 2013
Chelsea Manning Transforming The landscape
Of war And secrets
Imprisoned
For courage.
Secrets Of her war
Of her landscape
Transforming.
*
August 25th, 2013
Care Package
Enclosed: Poems flowers sunshine moon lipstick: 5 shades nail polish: 10 colors concealer eye liner mascara estrogen a diary wigs 2 bras heels dresses sissters scissors a sledgehammer
*
August 27th, 2013
They laughed at a hunger striker in CA
when he asked for his meds
cuz, ha, he was breaking the rules
breaking chains
breaking solitary.
At Fort Leavenworth
she was breaking the boxes
asking for hormones
they denied
she existed
on the mens block
locked inside body
inside cage
getting free.
*
August 29th, 2013
Gender Identity Disorder
=
Societal Denial of Gender Identity
=
The mask so many have worn
down the long hallway from psychiatrist
to sunlight.
*
August 31st, 2013
Waiting for congressional oversight
one step
in a direction towards
reason
and increased diplomacy
desperately needed.
*
September 1st, 2013
You are not alone
we are not alone
we have always been here.
Always.
At times we have been honored
simply for being
who we are
complex and simple
crossing boundaries
made up.
There at the forefront of stonewall sparking liberation
at the march on washington
at both wounded knees
disarming Nukes
resisting internment
there helping catalyse the DV movement
then transforming the DV/SA movement
we are here coming out undocumented and unafraid.
Here changing the face of queer liberation
We are here.
We are doctors lawyers teachers
we are in the military.
We work at the store down the street
Dancers, singers, artists, bricklayers
We are everything a kid wants to be when they grow up.
And more.
*
August 24th, 2013 For Danni
There are too many men in womens prisons
too many women in mens prisons
too many that don’t fit either
too many Black & Brown locked away from home
too many prisons caging this land.
*
August 26th, 2013
Dear President Obama
you have a chance
to honor a national shero
and do right to the snowdens, assanges, and mannings
who are pruning your executive branch hedges for you
and us
so we can see more clearly
the true possibilities
of a nation covered in sometimes smothering cloaks
of hope for change and truth.
Communte to time served
and your branch still gets away with her torture.
*
August 28th, 2013
I saw you the other day
in the grocery store pushing a cart
wearing a long flowing skirt. You were looking down reading a label
and your hair covered your face
but you pushed it back behind your ear
and I could see your cheek and eyes.
I saw you a few days ago, you were
walking across the street in the sun laughing
holding hands with a child laughing.
You seemed so
free.
I saw you just last night
on a date.
You were all dressed up
a black dress
just the right red lipstick and nails
legs crossed, glass of wine
dim lights
laughing then sincere,
connecting
touching hands across the table
naturally.
*
August 30th, 2013
Prayer that something stops US intervention in Syria
and civil war in Syria stops
to let children grow,
like lemon lime and olive trees in the wind,
adults to live
full lives
without gas bullets and missiles.
More life to live.
More meze kibbeh hummus shawarma.
More Dabke celebrating birth and commitments of love.
*
September 2nd, 2013
She
Chelsea
her
Chelsea
hers
Chelsea
Sometimes it takes a lil practice.
*
September 3rd, 2013
Assata Said:
if i know any thing at all, it’s that a wall is just a wall and nothing more at all. It can be broken down.
Mumia Said:
“I spend my days preparing for life, not preparing for death…
They haven’t stopped me from doing what I want every day.
I believe in life, I believe in freedom, so my mind is not consumed with death. It’s with love, life and those things. In many ways, on many days, only my body is here, because I am thinking
about what’s happening
around the world.”
Marilyn Buck Said:
later there was Assata’s freedom smile
then I was captured, locked into a cell of sewer water spirit deflated. I survived, carried on, glad to be like a weed, a wild red poppy,
rooted in life
Leonard Peltier Said (from Leavenworth):
Let who you are ring out and resonate in every word and every deed. Yes, become who you are…..
You are the message.
Z! HAUKENESS (they/them/their) grew up in rural Strum, WI, and lives in Louisville, KY (Shawnee Land). They are a somatics therapist, writer, akashic record’s reader, leadership coach, strategist, facilitator, ritual planner, and designer. They have published poems and articles on social movements, with more recent work incorporating spiritual and healing themes. They hold an MFA from Stonecoast at University of Southern Maine and are currently working on a biography about Carla Wallace.
Yes, you piss me off when I attempt to extricate myself
from the car after a long drive and you’re stiff as the face
of an assistant principal scolding a habitual class-skipper.
Yes, my hobble to the gas pump – stiletto of pain spiking
from calf to hip – likely affords pity in others pulling up
in vehicles more luxurious.
Yes, I lumber pathetic on the freshman diamond, unable
to catch a fly ball or field a grounder unless my players
hit it directly at me.
Yes, my daily jaunt across the street with the dog when
the walk sign turns silver constitutes the maximum
distance I can actually run.
But know this, knee of titanium who alerts the TSA
agents to the potential of something amiss, who
necessitates my swallowing antibiotics an hour
before any dental appointment, who occasioned
this alabaster fishing-line scar – it is good for me
to understand I cannot stand fully on my own.
It is good for me to know I would wobble
and totter without your flex and lock beneath
my skin. I can be a cold storage refrigerator,
bolted and unforgiving. I can be a street sign
that weathers a hurricane even when pointed
in the wrong direction. I can be an eighteen-
wheeler thundering through a red light. You,
metal hinge attached to my organic strings,
remind me someone else managed to fix
something wrong within me. There was
a procedure. Someone with knowledge
I don’t own opened me up, got to work,
made me, if not
quite whole, pretty
dang close.
Outside School Today
My swollen knee swallows a pufferfish
that seems earnestly interested in puffing.
Stiff, sharp pains too. Every step down the stairs
feels like my 9th grade girlfriend broke up with me
because I was too boring. You know what though?
I suspect I’m doing pretty well for a dumbass
who perched his school-issued laptop on the banister
of said stairwell so he can tighten the drawstring
so his shorts won’t fall down. Gravity, apparently
pissed off at losing the comedy of a teacher’s pants
plunging earthward, enacts its revenge when the laptop
plummets two flights like the stock market after another
puerile tariff threat and crashes to the floor with a stomach-
churning smack. Yes, indeed, the screen foments a Liberty
Bell style crack, fissures as pathetically as our current
democracy and, no, my heart does not flutter, stop, skip,
freeze, cease, or whatever the requisite response
is supposed to be despite the hard drive containing
a 500-page unpublished novel, half of another, a million
lesson plans and perhaps seven thousand poems-in-progress.
Listen, a busted computer is a calamity, but the sky today
hovers with the kind of grey that beckons a salty New
England squall and I textour building’s Patron Saint
of Technology, whose name, no lie, sounds exactly
like Ready, and she texts back promptlywith assurances
about a teacher’s loaner she will bequeath me tomorrow,
and a breeze growls like a courtside announcer clearing
his throat, pouncing on the microphone with a howl
– somewhere right now, in this country,
someone is being grabbed off the street
by masked men and delivered who knows where.
Somewhere across the globe a kid dies outside
a hospital padlocked when we tossed its funding
into the woodchipper. Or filled the coffers
of another nation who bulldozed it. I’ve got trans
kidson my roster who feel like they could be
murdered any day and their killer will be pardoned.
Someone needs to pray for my shattered computer.
I won’t.
Cambridge MA, March 2024
I’m there to watch my nephew sing
in his final undergraduate concert
and a dude in his group uncorks
a baritone that sounds like the rumble
of thunder before the boom, there is
a house in New Orleans and the next
day I’m still trembling from the sense
a shadow stalks the earth with shoulders
like cinder blocks and I can do nothing
to stem its advance even after a hearty
waffle and omelet and a walk around
the Charles River and a nap and I wake
to the Final Four, Iowa vs. UConn,
and Caitlin Clark stepping back
to drain a three, then another,
then a drive to the rim for a lay-up,
but it’s not her shooting that shakes
the tremors. It’s the pass that squirrels
through three defenders to an open
teammate, it’s the full-court hurl
that drops into the fingers of a sprinting
post player – it’s Paul Bunyan wielding
his axe, Jack conning his escape back
to his beanstalk, Serena Williams kissing
the bass line with an ace. Let’s not make
this about Angel Reese, a tenacious rebounder
deserving of her own hosannas. Let’s make
this about a Saturday afternoon in a hotel room,
about a body haunted to its marrow, and about
a woman banishing all the ghosts with a spin,
a sharp-eyed glance, an arrow nocked in her bow.
JEFF KASS teaches Tenth Grade English and Creative Writing in Ann Arbor MI. Recently named Poetry Editor at Dzanc Books, he’s the award-winning author of Knuckleheads, Independent Publishers Best Short Fiction Collection of 2011, as well as three full-length poetry collections including My Beautiful Hook-nosed Beauty Queen Strut Wave, and Teacher/Pizza Guy, a 2020 Michigan Notable Book and runner-up for Midwest Book Award. He is the winner of the 2024 Toledo Museum of Art Ekphrastic Poetry Contest, a featured poetry instructor with the Michigan Learning Channel, and 2023 Jack Hazard Fellowship recipient. His latest poetry collection, True Believer, spins around and through Marvel Comics and the Marvel Cinematic Universe.